The story: the death of a dog, filmed subsequently, a violent death because it is caused in a veterinarian’s clinic; a man in a white coat injects the strychnine… The film: afterwards there’s a moment when the animal’s eye emit violet-blue flashes, then nothing, but only apparently. Now everything is sweetness, what continues is death: the voyage into death – the transfiguration – the images that return, only to disappear from memory, emerge from the recollections in a purifying vortex that take them back to their essence. It’s the gradual breaking down of the image into form and then into colours and then into light and finally it’s the beginning: the vibration that is the matrix of sound of light of life. It’s the cosmos that makes that meat good to eat for a million years.
Marc, a bipolar and paranoid filmmaker, cannot tolerate seeing his current project picked apart by his producers. The clips he’s been able to sneak a look at lead him to fear the worst. With his editor as an accomplice, he manages to spirit away the rushes to his aunt’s place in the Cévennes, to finish the film as he envisions it. Instead, its completion is constantly postponed, as he creates endless diversions and impasses, which alternate between the comic and the downright disturbing.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
A rich man learns about a guru who can see without using his eyes. He sets out to master the skill in order to cheat at gambling.
Wealthy Sai Moon-Kin works hard to please as many women as he possibly can. When marrying off his mentally handicapped son, he finds himself attracted to his new daughter in law, so he takes her for his own, unaware that she is the evil Mirage Woman, who wields fantastical "sucking" abilities.
Snoop along with Scooby-Doo, Shaggy, Velma, Daphne and Fred one last time in this 10th and Final Volume of What's New Scooby Doo Volume 10: Monstrous Tails. The gang flies to the South Pole to fish for clues in hopes of hooking an amphibious menace in Uncle Scooby and Antarctica. Heading north to the Orient, they toy around in a giant water ducky to cool off a ferocious Chinese fire-shooting dragon in Block-Long Hong Kong Terror. Back down under in Australia's Great Barrier Reef, artist Shaggy enters a sand castle contest where a yucky corral creature threatens to wash away his dreams of Clamalot in Great Reef. So it's good to finally be back in their old Kentucky home -- Fort Knox to be exact -- until a golden ghoul turns everything it touches into statues with it's gold finger in Gold Paw.
As John T. Wrecker continues his task of protecting a group of refugees from a virus, the threat of something new and even more dangerous grows ever closer in the form of monstrous mutants.
After his son is wrongly accused of kidnapping, a deacon who has just lost his wife takes matters into his own hands and fights a crooked police gang to clear him.
The evil Djinn is back at it again, this time wreaking havoc on the students of Illinois' Baxter University. His victim is a beautiful, innocent and studious teenage girl named Diana Collins who accidentally opened up the Djinn's tomb and released him.
A bird raised by mice begins to question where she belongs and sets off on a daring journey of self-discovery.
Carrie is a big-city teenager whose life is turned upside down when she moves to a horse ranch in Wyoming to live with her father. But everything changes when Carrie meets Flicka, a wild, jet-black mustang who's just as free-spirited and strong-willed as Carrie. The two form a special bond and Carrie opens her heart to her father and a handsome, local boy, but when a jealous rival puts Flicka's life in jeopardy, Carrie must do whatever it takes to save her best friend.
The year 2015 CE. The last era in which magecraft still thrived. The Chaldea Security Organization was founded to focus on preserving the continuation of human history. They observe a world which magecraft couldn't observe and science couldn't measure all to prevent the certain extinction of humanity. But one day, the future that Chaldea continued to observe disappears and humanity's extinction in 2017 becomes clear. Rather, it had already happened. The cause seems to be related to Fuyuki, a provincial town in Japan, in the year 2004 CE. There, an "unobservable region" that had not existed before appears. Based on the assumption that Fuyuki is the reason for humanity's extinction, Chaldea issues an order to explore, investigate, and possibly destroy this singularity – a quest for the Holy Grail, the Grand Order.
1956, in the north of France. A group of underground miners is forced to take a professor to take samples a thousand meters underground. After a landslide that prevents them from going back up, they discover a crypt from another time, and unknowingly awaken a legendary bloodthirsty creature.
A group of women involved in the Women's Liberation Movement hatched a plan to invade the stage and disrupt the live broadcast at the 1970 Miss World competition in London, resulting in overnight fame for the newly-formed organization. When the show resumed, the results caused an uproar and turned the Western ideal of beauty on its head.
A woman named Amanda lies stricken, far from home. A young boy named David questions her, trying to make her remember. She's not his mother, he's not her son. As her time is running out, he helps her unravel a powerful, haunting story of obsessive jealousy, an invisible danger, and the power of a mother's love for her child.
When a dedicated rescue worker inadvertently gets caught up in the kidnapping plot of a mogul's tween daughter, he must save her from the clutches of rival gangs hunting them down with unpredictable dangers around every corner.
Peppino, a provincial librarian who became the accidental President of Italy, is now a father and has returned to a peaceful, happy life as a woodsman. That is, until his wife Janis decides to return to politics. Peppino is forced to abandon his home in the mountains and return to Rome to win back his love and help her defeat a speculative plot intended to damage Italy. Together, they must fight against social media attacks of the opposition and get the country back on its feet.
The steady boyfriend. The one who got away. The charming rock star. Who will Cami choose? In this interactive rom-com, her love life is in your hands.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
In a world where some children are able to fly, one girl is placed in an institution until she learns to keep her feet on the ground. She spends her life trying to be normal, even when a romance prompts her to unleash her special talent
Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.
A psychological portrait of a disturbed man whose fragmented thoughts and experiences form the framework of an experimental narrative.
A young sailor dozes off in the grass in Frederiksberg Have and wakes up surrounded by supernatural fairylike creatures. They take him to the mermaid Capriciosa, who gives him a magic, inexhaustible wallet. The only rule he must abide is never to share his fortune with his family. (stumfilm.dk)
Melting shows the natural monostructural disintegration of a strawberry sundae, its passage from rigidity to softness, from edibility to waste. The spoon resting on the plate refers to the human presence, which lurks behind the screen, declining to interfere with what transpires. Preserved by the Academy Film Archive in 2009.
A film about the dominance of time and space over a human being. A poetic reflection on the transience of material life characterized by a Mediterranean ambience, contemplation, mosaic structure, and repetitive editing patterns.
A space occupies it, awaiting to be unlocked by a freeing action or notion. What lies ahead is its determination.
1980-81, 13:27 min, b&w, sound Videograms is an ongoing series of text/image constructs or syntaxes using the Rutt/Etra Scan Processor, a device that enables Hill to sculpt electronic forms on the screen. Each "videogram" relates literally or conceptually to Hill's accompanying spoken text, which is visually translated into abstract shapes. Hill writes, "The vocabulary and precision of this tool allowed me to expand the notion of an 'electronic linguistic' through textual narrative blocks created specifically for the electronic vocabulary inherent in the Rutt/Etra device."
An experimental and critical view on the decadence of Honduran society. It practically has no narrative structure, as it plays out as a day-in-the-life-of the eponymous Ángel, a kid who's a shoe-shiner.
The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.
You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.