The Film Maker
2023-04-22
0
Ayush suffers from sleep paralysis and dark hallucinations, haunted by shadowy figures that represent his repressed fears. Trapped between dream and reality, he confronts these manifestations of his inner turmoil.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
A young woman wakes up on a train going to an unknown destination. She has no recollection of how she got there or where she is. She finds herself in a vast city; a forest of steel and iron and concrete, wandering the dark streets.
A young man who is still living at his parent’s house wakes up in a very strange situation in the middle of the night. The house is dark and there is no trace of his parents. He searches for them and tries to find out what happened…
A daring physicist travels into the past to stop a mysterious woman from stealing his invention. But once there, he uncovers a surprising truth about the machine, the woman, and his own fractured reality.
To forget about the end of a relationship, a woman fantasizes about an ideal one. Fantasy and reality begin to melt into one another, but the past finds a way to rear its head again. Films used: Notorious (1946) Gaslight (1944)
"Resonances" is an abstract journey that invites diverse interpretations. For some, it’s the tale of an ant that delved too deep, for others, a puppet seeking freedom. The narrative evolves with the viewer, offering no single path but rather a multitude of meanings. Free and autonomous, "Resonances" challenges you to explore with your mind and question with your soul. Only through personal reflection will the answers reveal themselves, making the experience uniquely yours.
An experimental shortfilm in line with "Lux Æterna", showcasing the footage from Cecil B. DeMille's "King of the Kings". A voiceover pronunces word "Relax" in a hypnotic tone, which was Lux Æterna's working title. It was shown only once in Paris at L'Étrange Festival, at the opening of "Lux Æterna".
How would a found footage film look if the footage was never found? This conceptual art experiment questions the very nature of film and cinema while serving as an ironic tribute to the found footage horror pop culture. The found footage format provides the narrative justification for such a film to exist: the non-existence exists because the footage existed yet it was lost and never found.
An abstract mood piece that aims to cultivate existential anxiety, exploring the shape and purpose of both man-made and natural objects, while observing how they intersect and overlap.
Three characters unknown to each other, experience a supernatural entity slowly unveil itself.
The movie follows an unnamed internet hitman who, after one of his previous victims comes back to life, locks himself in his bathroom with a gun with one bullet to get away from the corpse that is outside his bathroom door that is banging on the door trying to get in! As time goes by he slowly starts going insane and starts talking to himself in one sided conversation while having weird dreams that seem to predict the future, he receives dog food and phone calls from a strange man with unexplained knowledge about everything named Mr. E, who discusses topics of morality, philosophy, and mysterious, all-powerful them, while asking to be let into the house!
"Siddharth" arrives in the city with a burning determination to uncover the truth behind the tragic fate of his beloved brother, Pradip. Pradip, hailing from a Dalit family, had always been an advocate for goodness and kindness, which unfortunately made him a target for the cruelty of the upper-caste individuals in the city. As Siddharth delves deeper into the city's shadows, seeking vengeance against those responsible for his brother's suffering, the poignant story of Pradip's life and the heart-wrenching revelations about his fate begin to unravel through a series of flashbacks and discoveries.
A first-year film student is invited to document an eccentric audio engineer's historic discovery but finds himself more enraptured by the idiosyncratic inventor than the discovery.