An artificial intelligence starts to question reality in this short with AI-generated art, script, and music.
In this film several objects make paintings on an empty canvas, which all turn into photos and films.
A non-binary folk watches the handover of the first non-binary ID in the history of Chile. As they try to do the paperwork, they will face the bureaucracy of the legal proceeding.
A rare spoof. With the success of the 1925 film, The Lost World, it is common that when something is popular and successful, it is bound to be a subject for parodies and cash-in attempts. One of them was The Lost Whirl. This film featured stop-motion animation by Joseph L. Roop, who worked on the original classic, The Lost World.
A brief journey through the human experience as seen by the eyes of an Artificial Intelligence.
The film was produced applying mixed techniques on Super 8 film support.
Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Stefano Miraglia's Self-portrait, also part of the same commission.
El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.
Line drawn animation journeying from individual cell through multiplication, growth and formation. The cycle rises and falls twice.
Kucia's most recent film, Across the Field (1992), is his longest and arguably his most complex film in terms of imagery. In it, he applies many of the various techniques he has developed for his films over the years, the result being a rich collage of drawing, photographic images, and live-action film footage whose individual frames he has manipulated. This complex technique exists, according to Kucia, only as a vehicle to evoke the mood and emotion he wishes the audience to experience. This Impressionist approach to filmmaking is no doubt what inspired Marcin Gizycki to dub Kucia the "Bresson of Polish animated film."
In the not-too-distant future, androids have come into common usage. However, treating androids on the same level as humans is frowned upon, and there is constant paranoia surrounding the possibility of robots defying humans, their masters. Those who appear too trustworthy of their androids are chided and labeled as "android-holics". Rikuo Sakisaka, who has taken robots for granted for his entire life, one day discovers that Sammy, his home android, has been acting independently and coming and going on her own. He finds a strange phrase recorded in her activity log, "Are you enjoying the time of EVE?". He, along with his friend Masakazu Masaki, traces Sammy's movements and finds an unusual café. Nagi, the barista, informs them that the café's main rule is to not discriminate between humans and androids. While Rikuo tries to reveal Sammy's intentions, he begins to question the legitimacy of the fear that drives humans to regard androids as nothing more than mere tools.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Cartman's deeply disturbing dreams portend the end of the life he knows and loves. Meanwhile, the adults in South Park are wrestling with their own life decisions, as the advent of AI is turning their world upside down.