A childish beautiful girl in uniform makes full use of her obscene technique and sensitive body, which is contrary to her appearance, and serves you with dedication! Her slender body is played with by the men, and while she writhes in pleasure, she uses her exquisite bubble technique to lead to the ultimate ejaculation, and she herself drowns in climax pleasure and goes crazy! A forbidden after-school soap opera where the sense of immorality that compels a girl to obey her will amplify her excitement is secretly unfolding somewhere today...! !
A documentary about the girls of the Mustang Ranch, a legal brothel in Nevada.
In the late 1990s, some officers at Vancouver Police Department made a documentary film (THROUGH A BLUE LENS) about the everyday lives of six drug addicts in Vancouver's skid row, the Downtown Eastside. TEARS FOR APRIL reintroduces us to these six people; with footage shot over a period of nearly ten years, it continues their biography.
The French female pioneer of immersion journalism, Maryse Choisy, who infiltrated in 1928 the prostitution underworld of Paris. Posing as a chambermaid, a lesbian bar dancer and more, she wrote a very successful and scandalous book about that avant-garde experience, and changed her mind about this world and these women's difficult condition.
1961 documentary about the history and seedy reality of the sex industry in London's Soho.
A behind-the-scenes inside a news story that swept the US: a Zumba instructor, Alexis Wright, who lead a double life as a prostitute. With never-before-seen interviews from men on “the List,” local media and even her husband, Sex, Lies and Zumba will delve deeper into the operation, those involved, and just how this scandal took place in the small town of Kennebunk, Maine.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
In the summer of 1920, Shanghai was scandalized by a sensational murder, a high-profile case and subsequent trial that was the ongoing topic of conversation in the city's numerous cafes, clubs and teahouses. Among the various reasons for its notoriety, two stand out: first, the victim was a high-class prostitute, well known in Shanghai; second, the murderer had been a mid-level manager in a respected foreign firm, a playboy who in Manhattan might have been termed a "prominent young man about town." There were detailed press reports daily as the case wound its way through the judicial system.
In the spring of 1902, Viennese working-class daughter Marie König runs away from her beating father and is lured into a high-class brothel by an agent. Instead of the promised self-determined life "with horse-drawn carriage rides and silk dresses", she experiences closed doors, violence and exploitation. Only after years of agony does Marie confide in the journalist Emil Bader, who makes the conditions in the brothel public and takes the owner, Regine Riehl, to court.
Megacities is a documentary about the slums of five different metropolitan cities.
Documents 18 months in the lives of three crack addicts in Lowell, Massachusetts.
From the sultry streets of Hunts Point in the South Bronx, comes the rawest, realest and truest documentation of the world's oldest profession ever captured on video. From Brent Owens, the director of Pimps Up, Ho's Down, comes the first two in a series of five films. Hookers At The Point focuses on the business of sex and the people involved in it. As a special bonus we have included Hookers At The Point: Going Out Again, where we follow up on the personalities from the first film and see where "The Life" has led them.
Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.
Dragan Wende has lived in Berlin since the '70s and has seen the city change through the years. His nephew comes to live with him as Dragan remembers the better days he lived as a Yugoslavian immigrant in a divided city.
This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.
In Bangkok, Thailand, women punch a clock and wait for clients in a brightly lit glass box; in the red-light district of Faridpur, Bangladesh, a madam haggles over the price of a teenage girl; and in the border town of Reynosa, Mexico, crack-addicted women pray to a deity named Lady Death.
The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.
High Class Call Girls is a a revealing glimpse into the lives of Emily B and Cookie Jane, two self-dubbed high class call girls who charge thousands of pounds for a night with clients who find them through new location-based apps.
In 2002, serial killer Patrice Alègre was sentenced to life imprisonment for five murders. Gendarme Roussel, the main investigator of this case, believes that he will make him confess to other unsolved crimes in Toulouse. Two ex-prostitutes give a series of names of presumed accomplices of the killer, among them Dominique Baudis, then president of the CSA. He decides to face the case alone. Around him, it is silence: not an official support of his political family. Almost twenty years later, we return to the Baudis affair to try to understand it, with the testimonies of Pierre and Benjamin Baudis, his sons, François Hollande, Camille Pascal and the main protagonists.
Karayuki-san, the Making of a Prostitute is a 1975 Japanese film by director Shohei Imamura. It is a documentary on one of the Japanese "karayuki-san," who were women that were taken from their homes in Japan and used as prostitutes in the post-war period. Many of these women were told that they were doing this to support their families because of the extreme poverty that the war left much of Japan to live in. Imamura focuses on a particular such woman who was sent to Malaysia and never returned to Japan. Joan Mellen, in The Waves at Genji's Door, called this film, "Perhaps the most brilliant and feeling of Imamura's fine documentaries."