Tomorrow will be the same(2017)

America 3000(en)

900 years after a nuclear war in the USA, mankind is back to the stone ages. Amazon women rule the tribes, while the men are weak and dumb - either kept as slaves or living wild as animals. Only Korvis and a friend are intelligent enough to flee and found a tribe of their own. Will they manage to teach the women to love men again?

RAATRICHAR(en)

In a post-apocalyptic world, a young man, driven by greed and risking his survival, crosses paths with the force of nature, which administers justice in its own way.

Mad Max Beyond Thunderdome(en)

Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.

Mad Max 2(en)

Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.

Desert Spirit(en)

a Desert spirit who sees the past of human memories on each path in the desert.

The Opening of the Wells(cs)

The Opening of the Wells with music by the Czech composer, Bohuslav Martinu was supposed to be part of Laterna Magika II.: Tour programme in 1960. However, it was banned by the communist committee tasked with judging the performance from “a politically correct” point of view. The committee claimed that Radok’s manners and morals were behind the times, and that the director did not show the ultra-modern techniques of Czechoslovakian agriculture. The premiere was postponed and Radok was fired from the Laterna Magika Theatre. His young colleagues (including Milos Forman) were officially asked to finish the rehearsals without the controversial part, and to make other minor changes in other scenes (these changes were made). Alfred Radok considered this to an unforgivable betrayal, as he expected them to leave the theatre to support him.

The Voice(en)

A heist film with unusual circumstances set in post-apocalyptic Los Angeles.

The Killer Robots! Crash and Burn(en)

Four fallen robot gladiators are rescued from the scrap pile, turned into an elite group of mercenaries and sent on a mission to bring about a new age of enlightenment in a post-apocalyptic universe.

The Return(en)

One comes to Earth after a few decades in space. But what if there is no Earth anymore? What if the only thing left of all the cities and countries are smouldering remains and radiating dust in the air?

Public Domain(en)

"Public Domain" is a short film we shot in honor of those who support us with daily entertainment throughout this apocalypse. It's a love letter to cinema and a call to arms. Don't let the medium die.

End Days(en)

Rose, a survivor in the early days of an apocalypse in England must scavenge for supplies in order to survive.

Pōneke Classical Sessions(en)

Short documentary about a group of young musicians in Pōneke, Wellington who are trying to decolonise the classical music space.

John Adams conducts John Adams(en)

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.

1/2 Man(ja)

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

Furiosa: A Mad Max Saga(en)

As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.

Reich: Three Tales(en)

I Think We're Alone Now(en)

After a catastrophe destroys most of humanity, recluse Del lives in his small, empty town, content with the utopia he has methodically created for himself, until an interloper, young Grace, disrupts his solitude.

The Metropolitan Opera: The Exterminating Angel(en)

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Black Hope 2(fr)

Road Wars: Max Fury(en)

In a post-apocalyptic wasteland, two sisters leave their stronghold to save their wounded mother. Armed only with a muscle car and limited ammo, they race against time and ruthless raiders to secure life-saving supplies from a distant outpost.