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Mounted on a modern set almost 32.8 ft, the show recreates the original spirit of the popular puppet news show. Tulio Triviño, Juan Carlos Bodoque, Patana Tufillo, Juanín Juan Jarry and the rest of the cast deliver live news of sublime importance: the launch of a giant pizza into outer space. In between, classics such as "Mi Equilibrio Espiritual", "Bailan Sin Cesar" or "Mi Muñeca Me Habló", in an online show dedicated especially to all that public that has accompanied them for all these years and who was left with the desire to be part of an unforgettable experience.
“TINI: un mechón de pelo” invites you to enjoy an intimate and moving concert offered by multi-platinum singer and songwriter Tini Stoessel at the Hurlingham Club in Buenos Aires, Argentina, on the occasion of the launch of un mechón de pelo, her new album study that marks a before and after in his career. Like a time capsule, it tells the turn that the artist's life took in 2022 due to her father's health. The concert is a memorable musical journey and an extraordinary testimony to TINI's personal, spiritual and emotional healing process.
Between March 22 and 23, more than 130 thousand people will witness a new milestone for argentinian music: Maria Becerra will be the first female argentinian musician to play in River, stadium where the most significant international stars have played.
In this medium-length documentary, which goes through emotional and funny moments, we discover how Post Mortem transcended its condition of being a debut album to become an authentic artistic movement.
Leonard Bernstein conducts four pieces by American composers: George Gershwin's 'An American in Paris' and 'Rhapsody in Blue' and Charles Ives' 'Symphony no. 2' and 'The Unanswered Question'. 'American in Paris', 'Rhapsody in Blue' and 'The Unanswered Question' are all performed by the New York Philharmonic Orchestra at London's Royal Albert Hall in June 1976, while Ives' Symphony no. 2 is performed by Symphonieorchester des Bayerischen Rundfunks in the Congress Hall of the Deutsche Museum, Munich in June 1987.
El Concierto is the first live album recorded by the Mexican singer Luis Miguel. The album was recorded in August 1994 during the promotional tour of the album Segundo Romance and included three Mexican standards composed by José Alfredo Jiménez and recorded for the first time by the artist with mariachi: "Si Nos Dejan", "Amanecí En Tus Brazos" and "El Rey". The album won in the Best Album category at the Eres magazine awards in 1995 and was nominated for Pop Album of the Year at the Lo Nuestro Awards of 1996
Christine Goerke has wowed audiences as Turandot, the icy princess at the heart of Puccini’s grand final masterpiece. In this performance from the 2019–20 Live in HD season, Goerke stars alongside tenor Yusif Eyvazov (as Calàf) and soprano Eleonora Buratto (as Liù) in Franco Zeffirelli’s classic staging, which dazzles with its opulent visions of mythic China. Met Music Director Yannick Nézet-Séguin is on the podium, drawing a vivid array of musical colors from the incomparable Met Orchestra and Chorus.
Ever since it opened the 2006–07 season, Anthony Minghella’s striking production of Madama Butterfly has been a Met classic. Drawing inspiration from traditional Japanese theater, Minghella’s staging retells this heartbreaking tale with brilliant stagecraft, bold colors, and bunraku puppetry. In this Live in HD performance from the fall of 2019, Chinese soprano Hui He stars as Cio-Cio-San, the young geisha who puts her trust in a visiting American naval officer, only to later be abandoned by him. In a feat of operatic heroics, tenor Bruce Sledge appears as the callous Pinkterton, stepping into the role on short notice to replace an ailing colleague. Pier Giorgio Morandi conducts one of opera’s most tragic masterpieces, leading a cast that also includes mezzo-soprano Elizabeth DeShong as Cio-Cio-San’s loyal companion, Suzuki, and Tony Award–winning baritone Paulo Szot as the U.S. consul Sharpless.
Philip Glass’ opera “Akhnaten”, premiered in Stuttgart in 1984, forms the third part of the portrait opera trilogy about personalities who have influenced the course of human history. The conclusion of the trilogy deals with the ancient Egyptian pharaoh Akhenaten, who attempted to establish a kind of monotheistic cult around the god Aton during his reign in the 14th century BC, but failed due to the resistance of the priesthood. The production presented here was undoubtedly one of the very great successes of the 2019/20 season at New York’s Metropolitan Opera, due not only to the outstanding cast of singers (led by countertenor Anthony Roth Costanzo) but also to Phelim McDermott’s imaginative staging, which captivates with sometimes breathtaking imagery.