Campamento Sol Naciente(1972)

Gas Escape(es)

1972. During the government of Salvador Allende 34 artists made works that were included in the construction of the UNCTAD III building, today GAM. After the 1973 coup, few works survived looting and destruction. 40 years later, Joaquín Maruenda, son of the late sculptor Félix Maruenda, finds a record that leads him to investigate the events of the sculpture "Chimeneas" and its possible restoration. Joaquín, artists and workers involved with the construction of the building, will try to answer the question Why did they destroy the art?

Morkovcha [Korean Carrot Salad](ru)

This film tells a story of ethnic Koreans from Russia and the post-Soviet territories making their new home in New York City. The history of the diaspora is told through conversations with Lidiya Kan’s mother, personal stories, fragmented memories, and her family photo archive. An important character of the film is Morkovcha, the Korean carrot salad, an invention of the Russian Korean diaspora; its essence is symbolic of their mixed identity.

The Grass Dwellers(es)

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Ruins(en)

A documentary about a shocking case of HIV criminalization in Greece.

Lenin v Praze(cs)

Rok stalinské epochy(cs)

Don Roberto's Shade(es)

In 1973 Roberto Saldivar was arrested and imprisoned in an old Salpetermine in northern Chile. The mine was used as concentrationcamp for political prisoners. 20 years later he returned to confront his memories. He has lived there since. Alone.

An Inconvenient Truth(en)

A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.

Trust Machine: The Story of Blockchain(en)

Hacktivist and blockchain expert Lauri Love fights extradition in TRUST MACHINE—his computer skills a threat to the US government. Tech innovators strike a raw nerve as banks and network pundits rush to condemn volatile cryptocurrencies and their underlying blockchain technology. Why are banks terrified while UNICEF embraces it to help refugee children? Award–winning filmmaker Alex Winter reveals that proponents of blockchain—a verified digital ledger—are already using the technology to change the world; fighting income inequality, the refugee crisis and world hunger.

The Spiral(fr)

Documentary on the events provoked by the systematic attack of imperialism on the Popular Unity government in Chile, presided by Salvador Allende.

Partiledaren som klev ut ur kylan(sv)

Håkan Juholt came from the reserve bench and became captain of the whole team. A high-stakes bet that hardly anyone had dared to bet on. But after only 303 days, Håkan Juholt's time as party leader for the Social Democrats was over.

Ett folk, Ett parti(sv)

Elective Affinities(cs)

Documentary showing the Czechoslovakian political landscape in March 1968, when president Antonin Novotny, a hardline Stalinist, stepped down and moderate communist Ludvik Svoboda was elected. Five months later, in August 68, the Prague Spring would end with the military intervention of the Warsaw Pact.

Trump Card(en)

Trump Card is an expose of the socialism, corruption and gangsterization that now define the Democratic Party. Whether it is the creeping socialism of Joe Biden or the overt socialism of Bernie Sanders, the film reveals what is unique about modern socialism, who is behind it, why it’s evil, and how we can work together with President Trump to stop it.

Traja králi(sk)

Vinšujem Vám Nový rok hojný(sk)

The Peacekeepers(en)

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.

The Boys from Brazil: Rise of the Bolsonaros(en)

This documentary tells of the extraordinary rise of Jair Bolsonaro, from relative obscurity to the ultimate seat of South American power. Told through intimate interviews with some of those closest to him including his eldest son Flávio, former government ministers, as well as his opponents, explore Bolsonaro’s brilliant yet ruthless journey to the presidency, with high-stakes drama, guns and God.

Who Is Vermin Supreme? An Outsider Odyssey(en)

Vermin Supreme is no ordinary presidential candidate. Promising a free pony for every American, a fully funded time travel research program, and unprecedented zombie preparedness initiatives for a new American Republic, he truly is the people's candidate and the friendly fascist par excellence. "Who Is Vermin Supreme? An Outsider Odyssey" follows Vermin Supreme's raucous 2012 campaign from the Rainbow Gathering in the the Cherokee National Forest to the Democratic and Republican National Conventions to Occupy Wall Street protests, and all the way to heart of the American Empire in Washington, DC. From the unsettling gravitas of marauding riot police to the unbridled joy of songs sung for police officers and pranks played on anti-abortion fanatics, "Who Is Vermin Supreme?" is certain to show you America as you've never seen it before.

The Way I Like It(es)

Agüero interrupts the filming of 5 films that are being made in Chile in 1984, to ask each director the meaning in their work, at a time when making films in Chile was almost prohibited.