The Prologue to Macbeth is a mystical maelstrom of Ukrainian archeological symbols and Scottish history. The Roof of Brahah sits on a rise and reflects the rhythms of demiurgical chaos that echoes in the beastly echo of something dark within us. There are almost no words in the play, only spells, rituals, sacrifices. And this was all when there were no geese, and when the king was good, and the people - a dog ... The action lulls with its sinister rhythms, the darkness, introduces into a trance, and dark and sexual witches bring down the hypothetical children of King Macbeth. . Scotland in a Ukrainian manner, a hypnotic, mystical ... beautiful and bleeding tragedy about power.
Lady Macbeth
Banquo
Banquo's bride
Goat / Bird
Murderer
Stray
The Prologue to Macbeth is a mystical maelstrom of Ukrainian archeological symbols and Scottish history. The Roof of Brahah sits on a rise and reflects the rhythms of demiurgical chaos that echoes in the beastly echo of something dark within us. There are almost no words in the play, only spells, rituals, sacrifices. And this was all when there were no geese, and when the king was good, and the people - a dog ... The action lulls with its sinister rhythms, the darkness, introduces into a trance, and dark and sexual witches bring down the hypothetical children of King Macbeth. . Scotland in a Ukrainian manner, a hypnotic, mystical ... beautiful and bleeding tragedy about power.
2006-01-01
0
A high school student learns the meaning of love at an underground Manila movie theatre.
The internal journey of eight men, who, through a theater workshop, go through the different prisons they inhabit. Practicing the art of seeing themselves, in Boal's words, this group of men reflects on their masculinity as a representation to hide their true strength: their vulnerability.
A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.
A young actress lives with her alcoholic father. One night, she goes to the theatre for a rehearsal of a melodrama play.
When a construction worker unexpectedly joins a local theater's production of Romeo and Juliet alongside his estranged teenage daughter, the drama onstage starts to mirror his own life.
A group of theatre performers travel to London and put on a production they hope will repair cultural divides between India and Pakistan.
Although the past two years have been challenging for the Theatre industry, they also showed its incredible strength and resilience. Through interviews with West End performers and creatives, this documentary outlines the difficulties presented to our industry over the course of the pandemic, as well as highlighting changes - both positive and negative - that have come from it. An emotional reflection on a battle it was worth fighting for. All profits will be going to 'Acting for Others', an organisation that provides support to all theatre workers through 14 member charities. We hope these stories full of passion for Theatre inspire you just as much as they inspired us!
Movie of the stage play McQueen (written by British playwright James Phillips), at the St James Theatre, London, in May 2015 Featuring: Stephen Wight as Lee Dianna Agron as Dahlia, Tracy-Ann Oberman, Laura Lees and David Shaw-Parker
Telling the true story of Marvin Bijou, a young boy from a working-class family in a small village, who suffers constant bullying at school and home for being ‘different’ – too sensitive and too feminine. A chance encounter with a drama teacher opens the doors to a world that offers him the chance to escape his situation.
The title of the film reflects the custom of writing poems and lyrics on paper lanterns. The film tells about the difficult relationship between the actors of the Japanese classical theater No, friendship, hatred and love…
Two actors perform a play without an audience.
Chuck and Buck are childhood best friends whose lives have taken very different paths. While Chuck moved away and now has a real life, Buck stayed behind and developed a dangerous fixation—on Chuck's life.
In May 2014, just months after Dan died, the DSM Foundation commissioned award-winning playwright Mark Wheeller to write a verbatim play that told his story, so other young people could learn the lessons he sadly no longer could, and make choices that would keep them safe. The title takes Dan’s joking last words to his mum, Fiona, before he left home for what turned out to be the last time: ‘I Love You, Mum – I Promise I Won’t Die’. Mark worked on the very first production with his talented youth theatre company in Southampton, Oasis Youth Theatre, and the play had its first public performances in March 2016, with previews in Southampton and its premiere at the BRIT school, just a mile from Dan’s home in Croydon, South London.
Directed by Lithuanian choreographer, Anželika Cholina, this multiple award-winning Vakhtangov Theatre production of Anna Karenina tells the story of Tolstoy’s classic novel entirely in contemporary dance. In this way, Cholina succeeds in finding the equivalent of Tolstoy's words in harmony and movement, with every gesture holding meaning. The distinctive music of Alfred Schnittke helps to reveal the inner turmoil of the characters and their depth. Winner of the "Villanueva Award", Best Foreign Performance, International Havana Theatre Festival; Winner "Crystal Turandot" Best Debut Performance, Olga Lerman.
In a dark, velvety theatre, there is a first kiss between Pietro and Tommaso. When the lights come back on, however, the two students have different expectations of what might follow. The chaos of awakening desire in its complexity and sensuality is told and made almost physically tangible through looks and gestures, approach and retreat, hope and fear.
Dr Frankenstein obsesses over his creation in Blackeyed Theatre’s adaptation of Mary Shelley’s masterpiece, in which The Creature is brought to life through puppetry. Captured live at Wilde Theatre, Bracknell, in 2022, this production features ensemble storytelling, multi-roling and live music and explores themes of revenge, prejudice and ambition.
Andrea Pennacchi questions whether it is still possible to restore the Homeric poems in all their power and tries in his own way, starting with the literal text and then enriching the narrative with reflections, memories, insights and fantasies.