The Winners(1999)

Toscanini in His Own Words(en)

This film is a docufiction on the great Toscanini directed by well-known filmmaker Larry Weinstein; who pushes the boundaries of conventional documentary storytelling by borrowing tools from fiction films; including dramatic reconstructions and historical cinematic stylings.

Herbert von Karajan, Symphonie n°5 Beethoven(de)

Giacomo Puccini – Die dunkle Seite des Mondes(de)

Otto Klemperer's Long Journey Through His Times(en)

Relying on a bounty of archival footage and interviews with prominent musicians and intimates, Philo Bregstein's film traces the life and career of the conductor and composer Otto Klemperer, one of the foremost musicians of his time.

Beethoven na Slovensku(sk)

Everybody's Cage(en)

In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.

Čekej mě, milý, s podzimem(cs)

Scenes from the life of composer Zdeněk Fibich accompanied by excerpts from his work in a poetic documentary... The story of the Czech artist is embodied in a single day in the life of his collaborator and lover Anežka Schulzová (Iveta Rálková). Between waking up in the morning and falling asleep at night, she brings fragments of her beloved man's life experiences to life in her memories. It is a drama of emotions that draws her into its trap. Fibich left the safe haven of his family for her love, seeking inspiration in passion and eroticism. This clearly tense human situation is complicated by Anežka's rival and Fibich's wife Betty.

Bennewitzovo kvarteto(cs)

Slovenská filharmónia v Dubaji(sk)

Magic Moments of Music – Horowitz in Moscow(en)

After more than 60 years, the uncrowned king of 20th century pianists returned to his freedom-torn homeland to perform his swan song in a piano recital. In the mid-1980s, a breathtaking concert took place in Moscow that many still recall with emotion. The great Ukrainian-American pianist Vladimir Horowitz performed there for the first time in more than half a century. At that time, the border between East and West was impassable. The Cold War was in full swing. The two superpowers, the US and the Soviet Union, considered each other enemies. The race to produce atomic weapons threatened everyone's lives. The legendary pianist Vladimir Horowitz, then eighty-two years old, began one evening discussing with his concert agent Peter Gelb what he dreamed and wished for. One of the things was to look back to Russia.

Appalachian Journey Live In Concert(en)

April 5th, 2000... On the heels of their unanimously acclaimed albums "Appalachia Waltz" and "Appalachian Journey", "Appalachian Journey Live In Concert" captures three of the world's most extraordinary musicians live in concert, along with very special guests James Taylor and Alison Krauss, from their sold-out performance at New York City's Avery Fischer Hall.

Winterreise(xx)

4(en)

In four corners of the globe, in each of the four seasons, four outstanding violinists guide us on an extraordinary journey through their four distinct homelands. From the springtime blossoms of Japan, into the blistering heat and thunderstorms of an Australian summer; from a joyful autumn in New York, to the unforgiving cold and human warmth of a Finnish winter. The resonant and much-loved music of Antonio Vivaldi's The Four Seasons and the timeless stories they tell, form the backbone to this bold and engaging celebration of friendship, homeland and the cycles of life.

The Unanswered Question V : The Twentieth Century Crisis(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

The Unanswered Question VI : The Poetry of Earth(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

The Unanswered Question II : Musical Syntax(en)

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."

Ecce Homo Bedřich Smetana(cs)

Bolero: A Global Hit(en)

Bolero is played every 15 minutes in the world. This film tries to answer how this famous melody inspired and influenced the world pop-culture? It explores the complexity and the richness of a piece so simple in appearance: the emotions it triggers, vertigo it creates, the words it inspires.

Song for Hope(en)

When diagnosed with terminal cancer, a world renowned trumpet player uses music to give hope from concert stages to mountain tops, proving art is essential to survival.

Anna Netrebko und Rolando Villazón singen "La Traviata"(de)