Toxoplasma(2025)

Pet Sematary: Bloodlines(en)

In 1969, young Jud Crandall has dreams of leaving his hometown behind, but soon discovers sinister secrets buried within and is forced to confront a dark family history that forever binds him to Ludlow.

The Good Word(en)

Ivan Cutler is a man on a mission - he spreads the good word throughout the town lands of Ireland in the 1950s. But he hides a sinister secret - he has a penchant for murdering those who are kind enough to invite him into their homes. However, when he calls to the rural farmhouse of Ma and Da Taggart, he meets two people who prove more than a match for him.

Rakka(en)

A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.

Lurking Near(el)

As a forest scout he was ready to spend some nights on the mountain but nothing could prepare him for what was lurking near.

The Intermediate Step(es)

Yolanda is a young girl who practices athletics, it's her passion. But she's not training the way she wants, there is something wrong on her life and it's about to explode.

Killer Klowns from Outer Space(en)

Aliens disguised as clowns crash land on Earth in a rural town to capture unsuspecting victims in cotton candy cocoons for later consumption.

Peel(en)

A young man returns home from the grocery store alone, only to discover that he isn't.

Tales of the Black Freighter(en)

A mariner survives an attack from the dreaded pirates of the Black Freighter, but his struggle to return home to warn it has a horrific cost.

Taxidermia(hu)

Grotesquely surreal offering charting three male generations of the same bizarre family, including a pervert who constantly seeks for new kinds of satisfaction, an obese speed eater, and a passionate embalmer.

M - Fantasia Dramática(pt)

Night on the Town(en)

In a run-down hotel for transients, a man sleeps fitfully in bed. He rises to use the toilet down the hall, and while he's there, a burglar enters his room. He returns to find the burglar leaving through the window; the burglar falls to the street beneath. The man leaves the hotel and walks past the fallen burglar to a seedy bar, where he drinks too much and has a hedonistic vision of sex and death. He awakens on the bar-room floor and drags himself out. Is this the end for him?

Uncle(es)

On his first day of work as a miner, Martin, a cocky teenager, will learn the importance of rituals and respect for ancestors.

The Boarded Window(pl)

An anxiety-riddled woman and her husband reside in a small, secluded house in the forest. They live a relatively peaceful life until one night when the woman appears to fall sick and die.

Midnighters(en)

Midnight, New Year’s Eve: when all the hopes of new beginnings come to life – except for Lindsey and Jeff Pittman, whose strained marriage faces the ultimate test after they cover up a terrible crime and find themselves entangled in a Hitchcockian web of deceit and madness.

Metempsychosis(en)

The trippy and terrifying past of a psychedelic rock band comes back to haunt them at a remote mountain lodge.

Untitled The Blackening Sequel(en)

Sequel to The Blackening (2023).

The Witch(es)

Upon arriving home drunk, Martin, an old farmer, offends his wife Nicha and his grandson. Under the influence of witchcraft, Martin and Nicha sleep without being able to wake up, while a witch murders their grandson; a fact that will cause great sadness in Nicha, leading to her death, leaving Martin alone, deeply drowned in alcohol.

Portraits of Horror(en)

This story is about a Hunter who gets lost in the woods, but that's only the beginning of his problems.

Guinea Pig: Devil's Experiment(ja)

Masked thugs torture an innocent woman in increasingly brutal ways.

Refused(el)

Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.