El hombre cine mexicano: Pedro Infante, el mito(1994)

They Made Us the Night(es)

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

Saved From The Waters(es)

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

The Zapotec Chef(es)

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

A Breakfast Chronicle(es)

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Viva Mi Desgracia(es)

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

No desearás la mujer de tu hijo(es)

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

Sometimes I'm Happy(es)

Julián is an unstable man who decides to kidnap someone to spend with him his lasts moments before he commits suicide.

Diary of an Unexpected Journey(es)

A young woman receives a diary as an inheritance from her father, in which he tells her that she must take a trip to Chiapas, a requirement for access to all his possessions.

Robo Comercial(es)

Two friends decide to steal a shopping cart.

Con salsa roja sabe mejor(es)

Lis and Nora order something to eat but what arrives will leave them shocked.

No Me Digas Wey(es)

Buenas noches, mi pequeño pan tostado(es)

Cuidado con el amor(es)

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

Teresa & Veronica(es)

Teresa has a frayed relationship with her girlfriend Veronica. Teresa's attempts to stay close to her are thwarted, which will lead Teresa to make a decision that will completely change their lives.

The Third Word(es)

The English-language title of this Mexican musical was The Third Word. Singer Pedro Infante stars as a pampered young man who is sheltered by his doting aunts. Deciding that their darling boy needs an education, the ladies hire pretty schoolteacher Marga Lopez. Upon discovering that her pupil is 28 years old, Marga is momentarily nonplused, but then settles into her duties. Inevitably, romance blossoms between Pedro and Marga, much to the aunts' dismay.

El mil amores(es)

Carmen has a daughter, Patricia, who attends a school for young ladies where they think Carmen is married to a sailor. Viviano is a friend of Carmen and when she needs it, he poses as the father of Patricia and she believes is her father. Actually, Viviano is engaged with Marilu

The Crying of Malintzin(es)

Nacho and Memo start working as night watchmen in a Tequila factory. It is a stormy night. As soon as they recognize themselves alone in the middle of the huge industry, they get ready to drink and then they discover an intruder inside the facilities. It is Don Catarino, an old beggar who lives off the mercy of the employees and is the one who warns them that a lost soul usually appears in that factory on stormy nights. He pleads with them to ignore her and not allow her to involve them in her troubles. As soon as he disappears, a woman asks them for help to shelter from the storm.

Perenne(es)

Failed Attempts To Hug Each Other(es)

Two brothers, estranged for years due to superficial disputes, face the impossibility of sharing their first Christmas after their grandmother's passing. A hybrid portrait of the impact of time on family relationships and the limits of reconciliation.

TERATOMA(es)