El hombre cine mexicano: Pedro Infante, el mito(1994)

The Zapotec Chef(es)

After emigrating from his hometown in search of a better life, Chef Gaudencio Ruiz Mateo, defying all possibilities, found success at the highest level of his craft while longing to return home.

They Made Us the Night(es)

Supernatural visions and indigenous folk myths intrude in an unpredictable and dreamlike Mexican film about a family living in the shadow of the apocalypse. A living, organic work.

Saved From The Waters(es)

A biographical documentary about Moisés Avendaño, artist, athlete, sportsman, adventurer, and doctor from Veracruz, Mexico. Seen from his golden years, until his imminent encounter with Parkinson's disease, in the present.

Rutina(es)

A closeted gay teen has to break through a daily routine that keeps him tied into a life full of fear and homophobia, even though the struggle eventually will take him to confront society itself.

Capture Moment(es)

A Breakfast Chronicle(es)

A view of the end-of-the-century Mexican family. A father who comes back home after a long absence, but who would rather be somewhere else. A daughter suffering from a trapped pain. A son full of guilt and recriminations. A little kid who soaks up all the tension in the house, like a sponge, and a self-effacing mother who would like to go away and leave everything behind.

Viva Mi Desgracia(es)

After drinking a special concoction made of various types of alcohol, the once-timid Ramon (Pedro Infante) suddenly turns into a brawler and extroverted ladies' man. With his newfound confidence, Ramon attempts to win the heart of the woman (María Antonieta Pons) he loves. Full of enjoyable songs and funny scenes, this entertaining Mexican musical centers on a wealthy man who finally realizes that money can't buy him love.

No Me Digas Wey(es)

TERATOMA(es)

Teresa & Veronica(es)

Teresa has a frayed relationship with her girlfriend Veronica. Teresa's attempts to stay close to her are thwarted, which will lead Teresa to make a decision that will completely change their lives.

Desafane(es)

Situated on 1960’s student protests in Mexico City, uncomprehended and rebel, Lucía, must decide wether to stay home or leave her conservative family and old friends behind.

El Último Día en la Tierra(es)

Two old friends reunite by chance the same day a new quarantine is announced.

School for Buglars(es)

The police plan to capture a killer by using a double that looks exactly as one of his victims.

No desearás la mujer de tu hijo(es)

An elderly man falls in love with a beautiful young woman, without knowing that she is in love with his son.

(Not) Welcome to San Benito de los 4 Ríos(es)

In a small mexican town in the middle of nowhere, a murder begins to call into question the trust that supposedly exists among the villagers. Pilot that combines what originally were the first two episodes into a single one.

Mirreyes contra Godínez 2: El retiro(es)

Langostas a Domicilio(es)

Cheque and Lucas are two friends who, after winning the biggest lottery in the country, are ready to take the leap into their new life, the new rich millionaire life.

Cuidado con el amor(es)

Salvador accompanied by two friends of his father whom he calls uncles, they arrive at a fair in the village, there he meets Ana. When he wins a bet he is paid with a mortgaged house, to his surprise upon entering the hom he realizes that Ana and her mother live in it, provoking a funny entanglement with an explosive final.

We want water(es)

Ángel and his mother Rosario live in a neighborhood, where without prior notice, they are affected by a water shortage in the city. Despite their conflictive relationship, they must find an alternative so that they can have the valuable resource back

Bonanza(es)

Two teenagers face the differences of their parents; this leads them to cope with their own afflictions and learn of tragedies that cloud their vision, to the point of beginning to live the grief of a new life, leaving aside their comfort, their ideologies and questioning themselves for what they really are.