德云社郭德纲跨年相声专场北展站2021(2021)

Travelling Hawkers in Frankfurt am Main(de)

A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.

Liberation: Direction of the Main Blow(ru)

This five part epic war drama gives a dramatized detailed account of Soviet Union's war against Nazi Germany during world war two. Each of the five parts represents a separate major eastern front campaign.

East of Main Street: Asians Aloud(en)

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

People's Avengers(ru)

About the partisan movement during the Great Patriotic War.

Leopard Fight Club(en)

Witness a remarkable coming-of-age story as we track a young leopard's journey from rookie to royalty in South Africa's lethal Big Five landscape. When we first meet Jack, he's clumsy, fearful, and weak, but he's a fast learner - and he'll need to be. He's destined for a showdown with the area's current leopard monarch, an alpha male with a real mean streak. We follow Jack as he hones his skills and builds up muscle for the ultimate catfight. It's a battle where only the winner will walk out alive.

Beautifully Maintained and Well Located(en)

A mansion, a lawn, some trees: an unmoved frontal view, 9 minutes long. We hear an off-screen voice. It si the co-director, who commands what goes on in the image. He calls up participants while the other co-director climbs a ladder and holds up a cornet that emits smoke and sparks.

56(it)

Los liantes(es)

Amador and Fidel are two small scammers operating in Torremolinos beach and surroundings with more misery than fortune.

Sillages #2(en)

A presence by an absence. Condensation and repetition of the past, these fleeting moments captured and forgotten.

Station Six-Sahara(en)

A beautiful blonde joins a small group of men running an oil station in the Sahara Desert and starts the emotions soaring.

Maine Gandhi Ko Nahin Mara(hi)

Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.

Divers at Work on the Wreck of the "Maine"(fr)

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

Pleasant Goat and Big Big Wolf 4(zh)

Weslie and his crew discover an evil mechanical dragon who defeats Wolffy as he was attempting to capture the goats, but a series of good dragons rescue Weslie and the goats. The good dragons say that evil dragons have taken over their world, and they need the help of the goats.

Ali Wong: Hard Knock Wife(en)

Pregnant again, Ali Wong returns to Netflix in her second original stand-up comedy special and gets real on why having kids is not all it's cracked up to be.

Deanimated: The Invisible Ghost(en)

This piece was designed as an installation piece for projection as a 60-minute loop in gallery spaces. Deanimated is literally displaced from the theater environment typical of film spectatorship, slightly blurring the boundaries between the spaces of projection and reception. "Deanimated: The Invisible Ghost," is based on the 1941 horror film "The Invisible Ghost" with the lead actors Bela Lugosi, Polly Ann Young, and John McGuire. In "Deanimated" the actors are gradually eliminated and thus the narrative loses its coherence. What remains are backgrounds, erratic camera movements that seem to move without focus throughout the room, capturing ghostly changes in light and shadows. In this project, Arnold asks fundamental philosophical questions about human existence and presence in absence. Although the actors are missing, they leave behind traces (such as smashing bullets together, dust stirring up …) and are experienced precisely in their absence as a ghostly, unreal present.

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