

Two girls fantasize about making a declaration to the world. Youth is overrated. Depression, cynicism, rebellion. Poetic, and beautiful. How caricatured. Like how everything sounds better in French, even if it’s merely Google Translated. So we are here, to destroy the camouflage. Back to our reckless but satisfied souls and bodies. Ephwaipi, a homophone of ‘FYP’ (Final Year Project) is the debut short of Kitty Yeung and Candice Ng. The film, which also acted as their graduate thesis film, is the manifesto of two teenage girls about gender, romance and labour exploitation. Together, they seek to declare freedom from their teachers, lovers, bosses, and the most notorious villain of all — social norms.

0.0Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
0.0A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
10.0A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.
0.0Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
0.0The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.
9.0Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.
10.0For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.
5.8Kennedy has one day to get her shit together or get kicked out of school for good. Instead of buckling down, she rallies a ragtag crew for a midnight pool-hopping adventure through the lavish estates of her college town. But under the surface, Kennedy is searching for answers to the questions tearing her up inside in the wake of her father's death. As the secrets spill, this wild escape becomes a cathartic journey of self-discovery.
0.0A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?
0.0In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
0.0Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.
0.0After a young girl discovers a fascinating art museum, she becomes attached to the artwork she comes across. Although over time, there is a strange shift in energy the more time she spends with the artwork.
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0.0An experimental film revolving around how an artist perceives a man and a woman.
0.0An interconnected look at tradition, colonialism, property, faith, and science, as seen through labor practices that link an endangered salamander, mass-produced apples, and the evolving fields of genomics and machine learning.
