The Dybbuk is a made for TV film adaptation of a classic Jewish folktale. The story is about a young Jewish man, Sender (Theodore Bikel) who loves a young Jewish woman, Leah (Carol Lawrence) but her father arranges her marriage with another man. The grief of this causes Sender to die, but his spirit passes into the body of his beloved on her wedding day. Rabbi Azrael (Ludwig Donath), who serves as our narrator through the beginning of the film, is charged with the task of exercising Sender’s Dybbuk (sometimes defined as a malicious spirit or demon who possesses the living) from Leah’s body.
This mythic love story set in a timeless, lavishly colorful and mystical Jerusalem incorporates hard rock, striking set design, computer-generated imagery and modern-day tensions between the secular and the Orthodox worlds. Hanan, a handsome young traveler - who has pierced ears and wears grungy flannel shirts - falls in love with Lea, the beautiful daughter of a leader in the religious community. Unbeknownst to the couple, a deal was struck, years earlier, in which they were promised to each other by their fathers. When Hanan consults with a master of Kabbala, a set of mysteriously forbidden eleventh-century texts unleashes untold powers, merging the erotic with the divine and affirming love's infinite potential to transcend all obstacles. The lovers are played by Yehezkel Lazarov (Waltz with Bashir) and Ayelet Z'urer (Angels & Demons; Vantage Point). (from sfjff.org)
The encounters recorded by Chris Chambers have been studied by industry professionals and proven to be accurate recorded paranormal accounts. Currently documented as one of the most supernatural recorded events to date.
Mahi, a newly married woman, brings an antique Jewish box into her home. When Mahi and her husband Sam begin to have paranormal experiences, they soon learn that the box is a dybbuk containing an evil spirit. The couple then seeks the help of a rabbi to unravel its mystery. Will they survive this ordeal before their child is born?
In a Polish shtetl, two young men who have grown up together betrothe their unborn children, ignoring the advice of a mysterious traveler not to pledge the lives of future generations. Soon after, one of them dies, and the wife of the other dies in childbirth. The children grow up in different towns, without ever knowing of the betrothal, but the power of the vow leads them to meet each other when they are marriageable. The young woman, Leah, is promised to another man, but Channon, the son of the father who died, is a practitioner of mysticism, and seeks to win his bride through sorcery.
30 thousand Hasidim journey to Uman in Ukraine to celebrate the Jewish New Year at the gravesite of Rebbe Nachmann. A Ukrainian far-right group erects a cross at the site of Hasidic prayers and builds a monument to Cossacks who slaughtered thousands of Jews and Poles in 1768.
Horror bleeds into the 21st Century in an incisive documentary looking back at the late 1990s film industry on a global scale to find out what happened at the turn of the millennium to allow for the huge wealth of horror films flooding out from all corners of the globe. From SCREAM (1996), THE BLAIR WITCH PROJECT (1999) and FINAL DESTINATION (2000), to WRONG TURN (2003), HOSTEL (2005) and SAW (2004), with insight from Joe Lynch, Xavier Gens and Bill Malone who track the technology, the industry and the societal changes behind the next generation of horror films.
In the 17th century, long before modern science and in a time of great fear of the unknown, the villagers of a small coastal community find themselves drawn to, and suspicious of, Morag, a remarkable but mysterious woman who is uniquely connected to the nature that surrounds her. Survival is a daily and all-consuming struggle that is thinly forged from an inclement sea and pushed to the edge of the land by merciless feudal landowners. But it is Morag's passionate relationship with John Tullock, who is unwittingly pledged to marry Sinéad, that threatens to tear the community apart.
Whilst working at a funeral parlour, a lonely mortician develops a dark obsession with a local man.
A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw.
The story deals with three socially forward women, their friendship and the troubles they face in a male-dominated society. Rajalakshmi is a college lecturer and writer whose fiancée is not able to accept her ideals. Vimala is a divorced advocate bringing up a child on her own. Seetha is a college teacher, who is leading an unhappy married life with her husband.
A summer walk through Zurich ends in a police control. Prison ruins are turned into parks, old buildings give way to new ones. On the first of May, rubber bullets are fired. A person goes blind.
A film based on Bosko Tokin, a director of the first Serbian avant-garde film.
Part 7 in a long running (8+1 films) action/comedy/melodrama series about a pair of short tempered, amoral, but not evil chinpira (Bunta Sugawara and Tamio Kawachi) thinking too big of themselves. Katsuji finds his long lost mother, who is a rich lady of a respectable family. Comedy and melodrama ensue. A thrilling spectacle with an overly violent ending, and a remarkable, Japan's only post-prison rape comedy, Masa is determined to have sex with the female guard, despite the fact that there is a bar between them. Michi Azuma (topless swordswoman from Lone Wolf and Cub: Baby Cart in Peril) plays a tomboy who wants to join her brothers.
An aspiring young musician finds himself taking on the care of his father who suffers from Parkinson's disease.
Six college students respond to an email from, what they believe to be, the well-known author Oscar Fielding. In so doing, they find themselves thrown together for a wintry weekend, in a cabin nestled in the Rocky Mountains, with the understanding they will be aiding Fielding by providing research for his latest book. In the process, these six strangers discover that a dialogue about love, relationships, faith, past struggles and conflicts leads them to uncover who they really are, and what they really believe.
THE EXAM is a taut, contemporary, psychological thriller about a man whose promotion hinges on him taking a medical exam. After a home visit with his pregnant wife and six-year-old son present, he finds out that the medical examiner has a more insidious agenda.