PICTOR(NaN)

Isolation(en)

A meditation on isolation through paint textures, video collage and sound

Benbas: The Animation(pt)

Daner's mission is to get someone to the border, but he'll need the help of everyone at Benbas to do it, will they succeed?

Social Butterfly(en)

A socially awkward, neurodivergent youth struggles to adapt at a social gathering that quickly takes a turn into the uncanny and surreal.

MÜ : Architectures protéiformes(fr)

genesis(en)

In 7 episodes, a male subject traverses through various phases of existence. He fully explores different facets of the human condition— a serene innocence, a vigor for growth, an outrage against injustices, a scarring of one's own stability, and a return to everything.

Somewhere Real(en)

Roads fall into the sea and a travelogue breaks against the landscape.

Window to the Soul(en)

A man comes home and realizes that something else came home with him.

the flowers and sorrow he gave me(pt)

Inspired by moments of the Brazilian writer Gabriel Yared’s life and mixing storytelling and poetic declamations by the author himself, the film presents us the love overgrowing between two young man, Alex and Luís, their comfortable couple routine, and explores which limits that love can support when, like dry flowers, it faces the hard and cold earth of deceptions and expectation breaches, with the city of Macapá, in ther Northern Brazilian State of Amapá, as background.

The Suprising Visit Of The Turkish Ambassador(hu)

The turkish ambassador is said to visit a village in Hungary.

Keyhole Conversation(en)

Peter Larsson’s Keyhole Conversation draws the eye down to the small gate of the camera. From there, through quivering and percussive forms of direct and stop-motion animation, the eye begins to experience the scale of an image anew. At times segueing into a flicker, but maintaining a charmed form of attention to the marks of pencils and the channels dredged in emulsion by a paintbrush, all to a curious soundtrack of pulses and bleeps.

Zero One(en)

Zero One is a code-based generative video commissioned by Zero One Technology Festival 2018 in Shenzhen, PR China. This project consists of multiple interlinked generative systems, each of which has its customized features, but collectively share the core concept of an evolving elementary cellular automaton.

Messages From Home(en)

A short film made in response to returning to home during the Covid pandemic from 2020-2021. A series of vignettes capturing the serene countryside, juxtaposed with a personal voiceover, "Messages From Home" is a meditation on youth, belonging and the capitalist construction of time.

Abad Azal(fa)

A man is trapped in a flat and tries to get out.

Surface Tension(en)

A film in three parts: a man talking while a telephone rings, a walking tour of New York, and a goldfish swimming.

NOISE!(en)

Oriana Mejer's niche poem-film style has created "NOISE!". The film dissects late stage capitalism and the effects social media has on the mind. This is a spoken word poem, performed by Mejer, combined with projections. It is a completely new approach to editing. Originally score by Sofia Camarena.

Sweet Christmas(xx)

Experimental short film about various Christmas objects and lights.

The Invasion of Thunderbolt Pagoda(en)

At the court of the Yellow Emperor, the Majoon Traveler & Lady Firefly appear in the Hall of Unconscious Magnetism.

Psychedelia(en)

Arda Wuyts experiments with editing and color.

Smetak(pt)

Abstronic(en)

A pioneer of visual music and electronic art, Mary Ellen Bute produced over a dozen short abstract animations between the 1930s and the 1950s. Set to classical music by the likes of Bach, Saint-Saëns, and Shoshtakovich, and replete with rapidly mutating geometries, Bute’s filmmaking is at once formally rigorous and energetically high-spirited, like a marriage of high modernism and Merrie Melodies. In the late 1940s, Lewis Jacobs observed that Bute’s films were “composed upon mathematical formulae depicting in ever-changing lights and shadows, growing lines and forms, deepening colors and tones, the tumbling, racing impressions evoked by the musical accompaniment.” Bute herself wrote that she sought to “bring to the eyes a combination of visual forms unfolding along with the thematic development and rhythmic cadences of music.”