PICTOR(NaN)

The Yellow Days(en)

A psychadelic mental breakdown occurs. The lights are bright, the colours vivid, the images blurred, the mind absent.

NLOOPS(en)

Video art by Vibeke Sorensen made at Calarts in 1989

Street Musique(en)

Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.

Rift(sv)

A girl disappears without a trace while playing hide and seek with her friend. The friend is asked to explain how it happened, but the adults around him find it hard to believe his story. With visual originality, the limits of existence are allowed to be stretched in a film that depicts the incomprehensible from a child’s perspective.

Dull Hope(en)

Suppressed memories reach a boiling point. An animated tale of longing. “The Experimental section saw Non Films’ Dull Hope scoop the premier place as category winner. Half animation and half movie footage, this hybrid resonated very much with the judging panel who deemed it to be a sad dirge on personal memories and heartbreak.” – The Guardian Directed & Animated by Brian Ratigan Music & Sound Design by Nick Punch (R.I.P.) Produced by Non Films

Memoirs of a Strangler of Blondes(pt)

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

A Walk in the Woods(en)

editing experiments with a walk in the woods

No. 11: Mirror Animations(en)

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

Fungi(en)

As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.

Oblivion(ru)

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

Compound Eyes(en)

Commissioned by the Exploratorium in San Francisco, Paul Clipson's five-part COMPOUND EYES cycle delves into the otherworldliness of the natural world. In training his Super-8 camera on insects and other "minor" invertebrates, Clipson draws the eye into an unseen realm, one so delicate as to simultaneously tempt and refuse the touch. Following the surrealist desire to make the familiar strange and the strange familiar, Clipson relates this micro-landscape to the built environment. Electronic musical motifs supplied by frequent Clipson collaborator Jefre Cantu-Ledesma add another layer of inquiry, one tuned to the unspoken space between wonder and terror. This first entry in the series keys the viewer's vision to a single drop of dew on a blade of glass. Wisps of eyelashes, dandelions and insect limbs seem to brush against the lens in a trembling intimation of seeing.

Por si vuelves...(es)

Spheres(en)

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

A Film to Pass the Time(en)

Exploring American living, sex work, and the power of God among other things in the year 2024.

unbroken rhythms(en)

poem. trees. fragments. fritz. movement.

The Shadow of the Cage(en)

Education is a caged bird. This short film pays homage to experimental cinema, which is characterized by the absence of narrative, lack of focus, paint or scratches on the screen, abrupt cuts and asynchronous sound. With the aim of redefining our way of seeing, exploring new spatial and temporal concepts.

A Dark Place(en)

Myles navigates the tumultuous aftermath of a breakup, battling inner demons in a dark mental state.

Feeler(en)

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Before Noon(xx)

An unfinished short student film about dreaming

I Wanna Be a Kid(en)