I'm not speak english(NaN)

Dixie Chicks: Shut Up and Sing(en)

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

Talking Like Her(fr)

Connie Converse was a trailblazing singer-songwritter who bared her soul through thought-provoking music only to discover that 1950's America was unprepared for such candor from a woman. Discouraged, Connie packed her VW Bug and disappeared forever, leaving behind a body of work in a carefully indexed filing cabinet, hoping the world might someday be ready.

Lesbian Mothers(en)

Town Bloody Hall(en)

Norman Mailer and a panel of feminists — Jacqueline Ceballos, Germaine Greer, Jill Johnston, and Diana Trilling — debate the issue of Women's Liberation.

Perfect Image?(en)

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Pop féminisme : des militantes aux icônes pop(fr)

An overview of 21st-century feminism through the lens of pop culture.

All the Women I Know(gl)

From the personal to the political, the experiences of diverse women speak of how masculinized and violent the streets still are nowadays. In three insightful conversations with female friends, collaborators and high school students, the director looks for a discourse about fear that is not fearsome, a discourse on violence that is not violent. Direct cinema, horizontal process, self-criticism and narrative breaks. Mostly, this is a tale of universal sorority.

Not Bad for a Girl(en)

A documentary on women musicians of the 1990s from the indie rock music genre, grunge and riot grrrl including Hole, Babes in Toyland, L7 and more.

She's Beautiful When She's Angry(en)

A documentary that resurrects the buried history of the outrageous, often brilliant women who founded the modern women's movement from 1966 to 1971.

Scum Manifesto(fr)

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

Wittig, Yes!(fr)

Working Class(en)

Loosely based on Charles Dicken’s book “A Tale of Two Cities”, Working Class tells the tale of underground street artists Mike Giant and Mike Maxwell and their decade long friendship that started with a tattoo. The story is told through the cities they call home by, cutting back and forth between the neighborhoods of San Francisco and San Diego, as the artists talk about their life philosophies and the work they create.

A virxe roxa(gl)

Sofía(es)

A taboo in the family: the death of my great-grandmother Sofía. The surface of this history is known but not the background and much less the beginning, only its end. The tragic end The answers are in the family, in my grandparents and my uncles. This project is a tribute to her and the woman she was.

DIYSEX(es)

DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.

Kim Kardashian Theory(fr)

She's Nobody's Baby: American Women in the 20th Century(en)

This documentary goes back to the turn of the century to show how women shaped the nation’s history.

Colpi di testa(it)

Rome, 1968. A football passionate PE teacher formed the first woman team. Thirty eight years later, these women players remember with proud and a tinge of nostalgia how they stood up against all prejudices at a time when a woman wearing shorts was absolutely outrageous.

Empty Womb(es)

The manifesto of a body that bleeds by nature, the reconnection with the ancestors and the self-portrayed voice of a woman who seeks to break with the oppression that has forced us to experience menstruation with fear, shame and rejection.

bell hooks: Cultural Criticism & Transformation(en)

bell hooks is one of America's most accessible public intellectuals. In this two-part video, extensively illustrated with many of the images under analysis, she makes a compelling argument for the transformative power of cultural criticism.