Desperate for a last minute haircut the night before his wedding, a fancy client enters a cheap barbershop. But he´ll get more than he bargained for when the barber recognizes him as a very important person from his past.
Desperate for a last minute haircut the night before his wedding, a fancy client enters a cheap barbershop. But he´ll get more than he bargained for when the barber recognizes him as a very important person from his past.
2023-03-13
4.75
Aranmanai is about a family that wants to sell their ancestral home. The supernatural elements they discover there in the aranmanai (palace) lead to some bone-chilling moments.
Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.
Interviews with the cast, creators, journalists and celebrity fans, plus behind-the-scenes footage from season six.
Two middle-aged male friends are travelling together by car and expressing their thoughts and emotions connected with women.
A retired policeman, Devanathan, begins a new life with his family (which includes his brother and his wife) to keep his past. Devanathan's daughter Anita is a teenager, and his son, Ashwin, is a troubled young man. One morning, a young man named Daniel arrives with a recommendation letter from a priest. One day Devanathan gets into an argument with Ashwin, who goes to Daniel's office. Daniel behaves insanely and begins hurting himself. In the hospital Daniel begins dreaming about Abhirami, threatens Ashwin with a knife and cuts himself. Later, Daniel starts a fire in the house. Ashwin is taken to a mental hospital. Daniel disguises himself and spies on Devnathan's sister-in-law when she is bathing, thinking it was Devanathan. When riding her bicycle, Anita discovers Daniel's motorcycle and is shocked to see Daniel performing rituals for Abhirami.
A re-interpretation of Ramayana, the Thai animation film tells the story of a giant robot, Kiew, who's left wandering in a barren wasteland after a great war. Kiew meets Peuk, a puny tin robot who's lost his memory and is now stuck with his new big friend. Together they set out across the desert populated by metal scavengers, to look for Ram, the creator of all robots.
Hayseed Egghead arrives in the big city of Bagdad and quickly wins a magic lamp in a carnival coin-operated crane game. The shady character who was playing the game before him covets the lamp, and tries to steal it. Egghead sees a poster: The sultan is having a contest for his daughter's hand in marriage. With his lamp, Egghead thinks he's a sure bet; he conjures up a magic carpet, and he's off. After a couple bad vaudeville acts, it's Egghead's turn, but in the meantime, the bad guy swapped the lamp for a coffeepot. Egghead is thrown out, then sees the bad guy using the lamp; Egghead breaks in, steals the lamp and the girl, and flies off. But she uses the lamp herself to conjure up a real hunk to replace the nerdy Egghead.
Tintin finds himself involved in a mystery related to a drowned man, a can of crabmeat and a ship called Karaboudjan. After investigating the ship, Tintin discovers that the shipment of cans does not contain exactly crabmeat.
Robot prostitute Malice@Doll roams a deserted city unsuccessfully looking for johns after the human race is obliterated. With no people left, the android serving class has a meaningless existence. But after a horrific tentacled beast rapes Malice@Doll, she inexplicably turns human. With a renewed purpose in life, she tries to share the gift of humanity with others of her kind, but with every gift comes a curse... Malice@Doll was originally released as a 3 episode OVA series from April 27, 2001 to June 22, 2001 but would later be re-released as a singular 80min long film on some DVD releases.
Due to a zombie apocalypse, Pong is the loneliest man on the planet. This all changes when Yasmin turns up, a beautiful woman in the process of zombifying.
On the streets, people wander loose, almost free from any attachment like astronauts in space. From that analogy comes 'Moon Street'. While to the spaceships the moon works as reference, in Porto Alegre some cosmonauts find their north on Garibaldi street. Taking over professor's Edward Nkoloso dream and his Zambian space program, this documentary tries to bring the moon and the street together, claiming for a democratic space (urban and cosmic), away from the domain of powerful countries and avenues. How do the urban cosmonauts perceive the stars? The dispute? The dream? Neither USA, or Soviet Union, we searched for space through the free eyes of the forgotten, and many times invisible , street astronauts.