Picker(NaN)

Don't Look Now(en)

While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.

Whitebox(pt)

Backwards(en)

In a corporate world where people walk backwards, Minus needs to control his instincts to fit in society and climb the social ladder.

The Belly of an Architect(en)

Stourley Kracklite, a driven, detail-obsessed architect, travels from America to Rome with his much younger wife, Louisa, to oversee an architectural homage to a personal hero, 18th-century master builder Etienne-Louis Boullée. En route by train, Stourley and Louisa conceive a much-wanted child — but Stourley's obsession with his wife's expanding belly, her perceived infidelity, and his own recurrent bouts of abdominal pain reach epic and dangerous proportions.

The Lake House(en)

A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.

Hannah and Her Sisters(en)

Between two Thanksgivings, Hannah's husband falls in love with her sister Lee, while her hypochondriac ex-husband rekindles his relationship with her sister Holly.

A Perfect Enemy(en)

Famed architect Jeremy Angust is approached on his trip to the Paris Airport by a chatty girl named Texel Textor who needs a ride. He obliges and after they part ways at the airport entrance, he misses his flight. As he settles in the lounge, he encounters the mysterious young Texel again, who insists on telling her strange story — and the conversation grows stranger and more twisted until it turns sinister and deadly.

The Second Mother(pt)

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However, Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

Miz Cracker's Favorite Haunts(en)

World-renowned Drag Queen Miz Cracker helps a Texas family that’s experiencing strange occurrences after renovating their 1892 home. As a lover of the paranormal, can Miz Cracker solve their ghost problem and help them coexist peacefully with the spirits?

Sidewalls(es)

Martin is a neurotic web designer taking baby steps out of the isolation of his one-room apartment and his virtual reality. Mariana is an artist fresh out of a a long relationship. They are perfect for each other, live on the same street, in opposite buildings, but they never meet. Can the movement of a modern city of three million people bring them together?

Dark Buildings (A Crack in the Wall)(es)

When the beautiful Leonor arrives at the architecture studio Borla y Asociados looking for Nelson Jara, both Mario Borla and his partner Marta Hovart and Pablo Simó, the building's oldest architect, claim to ignore that name completely. But they all lie. The truth begins to unravel through the memories of Pablo Simó. Pablo should carry out the unpleasant job of dealing with Nelson Jara, an indignant owner of the building adjoining a work of the studio, damaged by a crack in the wall of his living room caused by an error in the construction. But the fear and nervousness that provokes in the three involved the arrival of Leonor and her question "what happened to Nelson Jara?" Show something much darker and more suspicious. (FILMAFFINITY)

Paradise Lost?(en)

After discovering that John Milton is buried within London's Barbican grounds, Iain Forsyth & Jane Pollard reimagined his epic poem ‘Paradise Lost’ as part of Doug Aitken's Station to Station project. The piece uses the architecture and atmosphere of the Barbican to update the story, which is told in three parts.

Mid-Century(en)

A husband and wife's weekend in a mid-century modern vacation rental turns deadly when the husband discovers the owner is a psychopath with a backyard of buried secrets and designs on his wife.

Goodbye First Love(fr)

A 15-year-old discovers the joys and heartaches of first love with an older teen, but in the ensuing years, cannot seem to move past their breakup.

Dear Esther(en)

In 1989, a woman writes a letter to her mentor. She reminisces about a life-changing campaign they spearheaded to save a historic home, Irving Gill's Walter Luther Dodge House in Los Angeles, twenty years prior.

The Brutalist(en)

When an innovative modern architect flees post-war Europe, he is given the opportunity to rebuild his legacy. Set during the dawn of the modern United States (in Pennsylvania), his wife joins him, and their lives are forever changed by a demanding, wealthy patron.

Twilight City(en)

A fictional letter from a daughter, Olivia, to her mother in Dominica is the narrative thread connecting interviews from (predominantly) black and Asian cultural critics, historians and journalists. The choice of occupation for the daughter, a researcher, perhaps strains the narrative conceit too far. Nevertheless, for an avowedly political documentary the result is absorbing.

A Family Man(en)

Dane Jensen is a driven, Chicago-based headhunter, working at a cut-throat job placement firm. When his boss pits Dane against Lynn Vogel, Dane's equally driven but polar-opposite rival at the firm, in a battle for control over the company. When his young son is then given a harrowing diagnosis, Dane is suddenly pulled between achieving his professional dream and spending time with the family that needs him now more than ever.

Drone(fr)

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

O Outro(pt)

On the outskirts, residents feel marginalized from society, as if they had no identity, and this is reflected in the surrounding buildings, anonymous in their neglect. The first character is one of these residents, who, while wandering around the city, finds a wallet lying on the ground. The moral duty to return the wallet conflicts with the vision of a new future, far from the shadow of the suburbs, through the assumption of a new identity.