Ingmar Bergman in Iceland(1989)
Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.
Movie: Ingmar Bergman in Iceland
Top 2 Billed Cast
Self
Self
HomePage
Overview
Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.
Release Date
1989-01-15
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
svenskaKeywords
Similar Movies
Bergman: A Year in a Life(sv)
The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.
Trespassing Bergman(en)
In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)
Ingmar Bergman Through the Choreographer's Eye(en)
Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.
Bergman's Ghosts(en)
Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.
Fårö Document(sv)
Bergman interviews the locals of Fårö in this fascinating documentary. An expression of personal and political solidarity with the fellow inhabitants of his adopted home, the island of Fårö in the Baltic Sea, this documentary investigates the sometimes deleterious effects of the modern world on traditional farming and fishing communities. The young, especially, voice doubts about remaining in such a remote, quiet place.
Gunnel Lindblom: ut ur tystnaden(sv)
The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.
Mirrors of Bergman(en)
Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.
Living Images(hr)
Language is like memory. If it is not used, it slowly fades. Stockholm is not like Zagreb, but it is like any capital city. I was there when it happened, without having time to say 'thank you' for everything. The book is excellent, each chapter is like Andersson's tableau – a separate whole in which over time you notice the thoughtful layers of tragicomic human life.
The Dance of the Damned Women(sv)
The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.
Limbus(en)
As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.
Bergman Island(en)
An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.
The Dove(en)
De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.
Untitled (Without Sound)(en)
A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.
Joan of Arc: God's Warrior(en)
Writer and historian Dr Helen Castor explores the life - and death - of Joan of Arc. Joan was an extraordinary figure - a female warrior in an age that believed women couldn't fight, let alone lead an army. But Joan was driven by faith and today, more than ever, we are acutely aware of the power of faith to drive actions for good or ill. Since her death, Joan has become an icon for almost everyone: the left and the right, Catholics and Protestants, traditionalists and feminists. But where, in all of this, is the real Joan - the experiences of a teenage peasant girl who achieved the seemingly impossible? Through an astonishing manuscript, we can hear Joan's own words at her trial and, as Helen unpicks Joan's story and places her back in the world that she inhabited, the real human Joan emerges.
Britain's Park Story(en)
The British invented them for the world, and they have been described as 'the lungs of the city - historian Dan Cruickshank reveals the history of our public parks.
Logbook_Serbistan(sr)
Illegal immigrants and asylum seekers in Serbia, placed in asylum centers after their dramatic journeys from war-torn and poverty-stricken areas of North Africa, Near and Middle East go through a period of adaptation to life and social circumstances in Serbia. In most cases, however, their goal is to reach one of the EU countries. Docu-drama is a space for them to, beside the socio-political context in which they found themselves, show their individual values, becoming heroes that viewers can identify with and whose destiny and struggle they can understand.
The Way Things Go(en)
Artists Peter Fischli and David Weiss create the ultimate Rube Goldberg machine. The pair used found objects to construct a complex, interdependent contraption in an empty warehouse. When set in motion, a domino-like chain reaction ripples through the complex of imaginative devices. Fire, water, the laws of gravity, and chemistry determine the life-cycle of the objects. The process reveals a story concerning cause and effect, mechanism and art, and improbability and precision, in an extended science project that will mesmerize the mind.