Journey through time(2023)

Ang Ipinagbabawal na Prutas ng Paraiso(tl)

An experimental film that explores the minds of a teenage couple experiencing an unintended pregnancy and their struggles with social pressure, discrimination, and abuse.

Starlight(en)

The line between isolation and creativity begins to blur for a group of teenagers. Some are free, some are not; but all have moments of passion and beauty.

Paranoid Park(en)

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Butterfly(en)

A short experimental film, exploring the concept that one small change can have a profound impact on a person's life.

Looking through a Glass Darkly(en)

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

Barbara(en)

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

1888(kn)

When Demonetization (currency ban) is announced in India, 3 unlikely characters come face to face for a bag of cash. After that a car journey begins and some more characters come into picture. This results in a cat and mouse game with a very unexpected outcome.

Pulvaaliraghu(ta)

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

I AM(es)

A short film about life.

Expurgo(pt)

A woman finds herself in a distorted reality, walking through a labyrinthine space. Seeking to leave this place, she faces and gives new meaning to her memories so she can move on.

Yo convergeré(es)

As Belas Cores do Nascer do Sol(pt)

The Brown Bunny(en)

Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.

¿Por qué la gallina cruzó el camino?(es)

De Quanta Terra Precisa Um Homem?(pt)

Coma(fr)

Amidst a period of unprecedented world events, an eighteen-year-old girl’s life is placed on hold. Isolated in her bedroom, she falls under the spell of the mysterious vlogger Patricia Coma. As time carries on, the lines between her dreams, fears, hopes, and reality begin to blur into one another.

Enys Men(en)

A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.

Revolvers(ar)

footage from different times, places and friends along the way and trying to capture the best moments out of them under the circle of experimental cinema..

Kyklop(de)

The short film poem KYKLOP is dedicated to a mechanical eye as an autonomous being. Round wheels and targets similar to him seem to arouse the interest of this main character. The atmosphere is thundery, thunderous. It reminds of the cyclopean thunder demons from the "Theogony" of the ancient Greek poet Hesiod. KYKLOP (2023) is another autonomous part of the film cycle by Telemach Wiesinger and Alexander Grebtschenko that began with TURBULENCE (2022) and its pairs of mechanical wings.

July Dust(fr)

“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.