Town Business(2017)

Reckless(no)

An uncompromising and controversial short set in the Scandinavian suburbia on the hottest day of the summer. A sister reluctantly babysits her little brother. Two young boys catch her attention, and she makes a crucial decision.

Step Into the Third Dimension(en)

Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.

Closets(en)

It's 1986, tormented teenager Henry is struggling with his sexuality and abusive home life. Henry sits in his closet contemplating suicide. In a flash of light he is transported to 2016 where he meets teenager Ben — now occupying his room 30 years later.

I faresonen(no)

I Faresonen is a combination of a documentary and fictional approach to the problem of alcoholism -- or alcohol dependency. Tackling a problem common to other Nordic countries as well, director Bjoern Breigutu has focused on the life of sailors, among others, and how alcohol is used or abused in that sector of the population. This was the Norwegian entry at the 1961 Berlin Film Festival.

Before One More Day(pt)

One family suffers from the death of their mother and wife. Amid the suffering, each one seeks a way to deal with the loss and Mariana, the eldest daughter, tries to pick up the remaining pieces of her family.

Angemacht(de)

Never Say Die!(en)

Short film directed by Sandy Johnson

Unter Männern(de)

Short film directed by Tomy Wigand

Dream Girl(en)

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?

¡Al fútbol!(es)

Any given Sunday of 1974 in Spain, soccer games in several stadiums, the sarcastic voice of commentators, the inevitable presence of advertising. Goal! The victors and the defeated.

Symmetry(en)

We are a constantly evolving culture. A culture eternally cycling, dying, and being reborn. The cities we live in, the jobs we have shape our direction, but are we heading in the right direction?

Bubblegum(en)

Last Summer(en)

A park bench plays stage to the meeting between two people - Emma and Ben. Here we see them in present day and we learn that they once spent three years very much in love.

Getting Together(en)

A documentary about socialising and society in early 1970s New Zealand.

Monty(en)

On the last day of Montgomery Clift's life, he reflects on some of the woman who effected him, Marilyn, Liz and Judy Garland - and the man who took him down, John Huston.

New York(en)

A combination of street footage with fictitious narration. Our protagonist visits New York for the first time since a life changing event. He goes out onto the streets and into the subway looking for a serendipitous reunion with someone he once loved.

Shelter at Home: Where Are They Now?(en)

Beloved by audiences for over a decade, Here TV's original movie "Shelter" is celebrated with an in-depth discussion with stars Trevor Wright and Brad Rowe, along with director Jonah Markowitz.

K'i Tah Amongst the Birch(en)

Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.” In documenting camp life—activities like making fish leather and scraping moose hide—she anchors the COVID experience in a specific time and place.

Thursday(en)

Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks. The extreme distance and the diminutive scale of humans is paired with sound close-ups—a combination that embodies the strange, heightened intensity of feeling of the time, knowing an era-defining tragedy is happening yet being so physically removed.

On My Way(fr)

The unexpected arrival of a Nigerian migrant in the Belgian countryside shakes up the fragile daily life of two men living a secret relationship.