The African Side(2009)

African Safari Adventure(de)

The Ark of Lights and Shadows(cs)

The forgotten story of Martin and Osa Johnson, rebel filmmakers and Kansas natives who made some of the first films in Africa in times when filming itself was more dangerous than lions or malaria.

Stealing Africa(en)

Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.

Gangbé!(fr)

The Gangbé Brass Band, a musical group from Benin, sets out to conquer Lagos, capital of Nigeria.

Nascent(en)

A bloody civil war in Central African Republic has divided a once peaceful nation along religious lines. Two children, one Christian and one Muslim, seek answers in each other.

The Rhythm of My Life: Ismael Sankara(en)

Follows in an unconventional way the journey of 'ISH', a former Miami based rapper, who traveled to Africa to visit family. Little did he know that Libreville Gabon would be the place where the project of his dreams would fall on his laps. Against all expectations the alchemy born between him and 2 local beat-makers would lead to the making of a potential first album. Written and Directed by Marc A. Tchicot and Franck A. Onouviet, the film captures glimpse of great encounters and musical moments between people from opposite backgrounds driven by the same passion: music. 'The Rhythm of my life' belongs to the new generation of short films, which combine fiction and documentary style. Deeply grounded in the line of non formatted and guerrilla style independent projects, the rhythm of my life set a different direction for film-making in Gabon and Africa.

Batouk(fr)

This uneven and uninspired documentary of Africa is a collection from various stock footage. Female dancers in mod clothes dance on the Eiffel Tower in comparison to the primitive dances of native Africans. A lone runner trains for a marathon, and a few animals are shown in their natural habitat. Commentary and modern jazz and pop music help to make this seem much longer than 66 minutes.

Guerre aux images en Algérie(fr)

Escape from the World's Most Dangerous Place(en)

Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.

Downstream to Kinshasa(fr)

For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.

Der lange Weg ans Licht(de)

Back To Africa(en)

The Boy Who Flies(en)

Following a dream, Canadian paraglider pilot Benjamin Jordan travels to Malawi to teach children the joys of kite flying. There he meets Godfrey, a young man who has always dreamed of flying though has never had the means. The odd pair tour the country on bikes, building kites with youth while motivating them to follow their dreams. They are destined for Malawi's highest peak where, after weeks of ground training, the two will attempt to fly down and make Godfrey the first Malawian paraglider pilot.

God Grew Tired of Us(en)

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

Women of the Toubou(en)

Short documentary about the Sahara-dwelling Toubou, a tribe in which the women are treated as equals by the men.

Coach Zoran and His African Tigers(en)

Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.

The Journey of Man: A Genetic Odyssey(en)

Many geneticists and archaeologists have long surmised that human life began in Africa. Dr. Spencer Wells, one of a group of scientists studying the origin of human life, offers evidence and theories to support such a thesis in this PBS special. He claims that Africa was populated by only a few thousand people that some deserted their homeland in a conquest that has resulted in global domination.

Zum Schneegipfel Afrikas(de)

Silent adventure film

Gefährliche Jagd(de)

A humorous documentary about a historic hunt in 1929 through the African savannah and Indian jungle with lots of animal footage.

Safari(de)

Between 1933 and 1935, the painter Wilhelm Eggert and his wife Dora Kuster traveled the African continent. Their expedition took them from Mediterranean Algiers through the Sahara and parts of the African west coast to the Congo and Kenya. Not only did the couple explore vast stretches of land that were almost completely unknown, at least to private travelers at the time, they also captured this journey on film. A screenable documentary film was compiled from the original 12,000m of film material. In cinemas and film clubs, European audiences were presented with a film that was evidently able to satisfy an interest in foreign, 'wild' cultures and exotic landscapes, albeit one that was always Eurocentric. The spectacular shots of African lifestyles and nature, which in many respects were new to European viewers who were almost completely unfamiliar with Africa, were praised and appreciated precisely because of their supposed authenticity.