Oscar Chartier plays a dangerous double game by selling secret plans to the German and American secret services, to ensure a comfortable future for his daughter, Sophie. But the plans are fake and Chartier decides to get help from his good friend Simon Templar.
Oscar Chartier plays a dangerous double game by selling secret plans to the German and American secret services, to ensure a comfortable future for his daughter, Sophie. But the plans are fake and Chartier decides to get help from his good friend Simon Templar.
1966-10-26
5
The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.
Let’s get SICK’NING for the Holidays! RuPaul’s Drag Race legend Laganja Estanja is here for Hey Qween’s Very Green Christmas Special!
Transvulcania is one of the most iconic trail running events in the world. It's the race that the local inhabitants feel is truly their own. This documentary delves into the personal stories of the athletes and the island's residents, who have faced years of adversity.
A mentally-afflicted young man is accused of murdering his longtime benefactor. The real truth of what happened lies in his mad obsession with his supposed victim's old typewriter, on which he types relentlessly, day and night.
Dating within different cultures and being open to all religions, Ethan must deal with constant roadblocks. From First Nations to South American, his journey to find love in Toronto is nothing but complex. He faces discrimination and depression but always remains optimistic.
When Jason Dyson refuses to make his prized fighter throw an MMA match, a notorious gangster collects his debt by killing the fighter and kidnapping Jason's daughter. Now he must train a prisoner to endure five consecutive underground fights to save her.
Desperate to win a man's affections, Roshanda James uses murder and witchcraft to make herself appear as a beautiful seductress. No man can resist the Black Widow Spider.
Realizing that she cannot take down Fisk alone, Sayen teams up with an underground resistance group with a plan to expose and end Fisk's unchecked plundering once and for all.
A dystopian coming-of-age movie focused on three kids who find themselves in an abandoned amusement park, aiming to unite whoever remains. With dangers lurking around every corner, they will do whatever it takes to survive their hellish Neverland.
After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician's inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!
A man lurks the night alleys, killing people at random, he feels nothing, no emotion, and no pain; when he meets a graceful widow he must confront what it means to be human.
An inventive artist wants to shoot an erotic romp, but it's not as simple as he imagines.
A story of a very ordinary man who just happens to be necrophile. (He is also like to eat cockroaches.) Problems begins when his pretty orphan cousin came to live with him...
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.