Zimní pohádka(2022)

Der Hauptmann von Köpenick(de)

Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.

To Be or Not to Be: Klingons and Shakespeare(en)

The story behind the translation and performance of Shakespeare's "Hamlet" in Klingon.

The Post Office(bn)

Amol, a child, is confined to his adoptive uncle's home by an incurable disease. He stands in the courtyard and talks to passers-by and inquires about the places they go to. The construction of a new post office nearby prompts the imaginative Amol to fantasise about receiving a letter from the King or being his postman.

Cyprus Avenue(en)

David Ireland's award-winning dark comedy about sectarian hatred in Northern Ireland. Eric Miller, a Belfast loyalist, mistakes his five-week-old granddaughter for Gerry Adams.

The Black Monk(ru)

Based on the short story by Anton Chekhov, Kama Ginkas’ astounding reimagining highlights and builds off of the Chekhovian tension between the beauty of life and the tragedy of how it is lived. The story tells the the tale of philosophy student Andrey Vasil'ich Kovrin. On the verge of a nervous breakdown, Kovrin decides to visit his childhood friend Tanya Pesotsky at the estate of her father. As he and Tanya develop a relationship and eventually marry, a black monk of legend begins appearing to Kovrin in visions. Though these hallucinations at first imbue the young man with joy and energy, they eventually lead to his ruin.

Übü király(hu)

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

Iphigénie(fr)

On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.

Le Jeu de la vérité 2(fr)

Ztracený prsten(cs)

4000 dnů(cs)

Finding Neverland(en)

During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.

Boj se stínem(cs)

Games of Love and Chance(fr)

A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.

The Last Metro(fr)

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

Actresses(fr)

Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.

Cheek by Jowl: The Winter's Tale(en)

One of Shakespeare's greatest plays, The Winter's Tale, though written at the same period as The Tempest, smashes all the rules that The Tempest follows. Unity of time, place and action are hurled aside as we range across Europe, from court to country, from high tragedy to low comedy, across a time span of sixteen years. The Winter's Tale tells of a delusional and paranoid king who tears his family apart. But this is the new Shakespeare, after he completed his great tragedies, and the tough struggle for redemption yields flickers of hope. Initial darkness gives way to joy as Time leads the characters to a shattering conclusion...

Ma nouvelle Héloïse(fr)

A wealthy Japanese patron, enamored with Rousseau, offers an atypical and versatile filmmaker the opportunity to freely adapt Jean-Jacques Rousseau's epistolary novel into a film. The filmmaker brings together three young actors in a deserted palace above Clarens and begins shooting. Rousseau's tragedy then reverberates through the contemporary characters.

Birds and Bees(en)

As explicit photos of the school’s ‘it’ couple go viral, and real-world consequences of online life spread, so do everyone’s opinions... Birds and Bees is a brand new play by award-winning writer Charlie Josephine exploring the complicated nature of teenage relationships using spoken word, physical theatre and a specially commissioned soundtrack.

The King of Laughter(it)

In early 20th-century Naples, a theatrical parody lands beloved thespian and playwright Eduardo Scarpetta in court, facing a malicious lawsuit that could compromise his freedom of expression and the economic security of his extended family—including his son's, young Eduardo De Filippo.

The Cheviot, the Stag and the Black, Black Oil(en)

In their songs, comedy and exuberant music, a travelling theatre company give a fiercely polemic account of Scottish history, from the aftermath of Culloden to the oil boom. Their production before a live audience is intercut with filmed reconstructions of the Highland Clearances and the Victorian obsession with hunting stags.