Luisa casas
2010-01-09
5
Documentary following the new board of FC Barcelona as they attempt to turn around the club's business performance.
On the seventh day, the TV showed the young man somewhere at another time, but he did not notice. On the sixth day, the man just found himself on TV.
Fourtounakis’ daughter, Katerinio, is forced to get engaged with a brutal Cretan, Skandalakis. But the return of Manousos Vrontakis from Athens and his flirtation with the girl leads to a great romance, without them knowing that they belong to families who are longstanding enemies.
SSS is composed from footage of movement improvised on the streets of pre-gentrified East Village by Sally Silvers, Pooh Kaye, Harry Shepperd, Lee Katz, Kumiko Kimoto, David Zambrano, Ginger Gillespie, Mark Dendy, and others, painstaking synched to music previously improvised for the project at Noise New York by Tom Cora (cello), Christian Marclay (turntables), and Zeena Parkins (harp). Beauty emerging from rubble. (Henry Hills)
After a shrimp-fingered incel discovers a passion for AI Art, his compulsion to create monsters bleed far beyond his computer screen.
A Bigfoot attacks a nudist camp, then an alien comes to earth to learn about sex in this umpteenth Old Mill reshuffling of SERENA THE SEXPLORER and MONSTER OF THE NUDIST COLONY.
Samuel is an actor and lives in Paris. The town hall of Forbach offers to give him the city's medal of honor. For Samuel, it is also an opportunity to reconnect with his mother and his brother and to rejoice with them.
A scientist who swore off playing chess after a nervous breakdown as a boy wunderkind, creates an undefeated chess program. But the Russian world champ beats Tommy Rosemund's masterwork in a televised match. So the West German mathematician becomes a top chess pro himself, which the West German media boast will prove the superiority of Germany and democracy. The jowly, white-faced Rosemund believes that the entire Red Communist bloc is out to stop him from vanquishing their atheist pretty boy, Stefan Koruga, to become the next Bobby Fischer and a symbol that capitalism is preferable to socialism.
In 2008, feature documentary, The Oasis, shocked Australia with its gritty insight into the lives of homeless teens at a notorious youth refuge in inner city Sydney. An outpouring of social and political goodwill followed, with the then Prime Minister pledging to halve homelessness by 2020. A decade later, with social inequality and homelessness worse than ever, the original participants reflect on where their lives have taken them.
A White Trash right wing extremist militia’s (unintentionally hilarious) home movies.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.