Agony over smiling lips(1974)

Rawheya Has Been Kidnapped(ar)

As Rawheya gets kidnapped, her husband, Ratib, searches for her. However, it turns out to be a trick she carried out in cooperation with Mukhlis and Attia.

Whom Should We Shoot?(ar)

The film describes the political and economical corruption in 70s’ Egypt, through the relationship between a powerful man and his wife’s ex-fiance.

A Dinner Date(ar)

This movie revolves around the story of an innocent girl (Nawal) who was married to a rich and possessive man who still wants her back after their divorce; however she meets a hair stylist (Shoukry) and falls in love with him. They get married but her first husband starts torturing Shoukry so he can leave Nawal but he refuses. Eventually, acts of revenge begins from both Nawal and her ex-husband.

The Sinners(ar)

Actress Sanaa Kamel is found murdered on her bed, and an investigation starts, taking into account everyone of the guests she hosted at her apartment the night she was killed: her jealous fiancé, a school instructor, a corrupt market manager, one of Sanaa's friends who works as a contractor, and a stud who was Sanaa's secret lover. As the investigation progresses, all the conclusions about the characters are always under question.

آسفة أرفض الطلاق(ar)

El-Halal Yksab(ar)

After Dr. Fouad performs an operation on Shams and saves her life, she becomes attached to him and asks him to marry her. He hides from her that he is engaged to Narges, fearing that her health will deteriorate, so he marries her and Narges at the same time, and convinces Shams that Narges is his sister, and events escalate.

The Shepherd and the Women(ar)

The widowed Wafaa lives with her teenage daughter Salma and her sister-in-law Azza in her late husband Kamel's remote house. When Kamel's former cellmate comes to offer his help, the three women are hesitant to accept at first, but they end up falling for him and competing for his affection.

Rise to the Abyss(ar)

Abla travels to France and gets recruited by the Mossad under the pretext of working as a journalist. By the time she discovers the truth, she's already in too deep. As Abla recruits her fiancé, an engineer in the Egyptian army, the General Intelligence Directorate assigns Khaled to arrest her.

The Choice(ar)

When a free-spirited sailor is found murdered, his twin brother, a famous novelist, is the prime suspect. Investigators uncover a possible liaison between the dead sailor and the writer's wife, and also learn that Sayed's successful fictions owed much to the inspiration of his brother Mahmoud's adventurous life. Just as the evidence against the writer seems overwhelming, Mahmoud turns up alive. But why are the twins never seen together...?

Empire M(ar)

Well off widow working Mother "Mona" is struggling raising 6 kids at different ages ranging from elementary school to University graduating students. The day she thinks to bring a new husband home proves to be a very difficult task.

The Shame(ar)

A family inherits their father's drug business which leads to their undoing.

No Longer Kids(ar)

The play tells the story of four siblings trying to stop their father from leaving his family for another woman after one of them accidentally finds a love letter from an unknown woman to their father.

عيلة اتعملها بلوك(ar)

Saladin the Victorious(ar)

The first Sultan of Egypt and Syria leads the Muslim military campaign against the invading Christians from Europe during the Third Crusade.

The Night of Counting the Years(ar)

Set in 1881, a year before the start of British colonial rule, it is based on the true story of the Abd el-Rasuls, an Upper-Egyptian clan that had been robbing a cache of mummies they have discovered at tomb DB320 near the village of Kurna, and selling the artifacts on the black market. After a conflict within the clan, one of its members made a crucial decision when the Antiquities Service arrived.

The Hunger(ar)

In a new tale of the epic of Harafish, an unjust bully controls the alley, whose brother was imprisoned unjustly after he fed the poor without his permission. While in prison, his wife is preparing for a revolution by the poor to demolish this corrupt regime and end the tyranny in the alley.

The Fear(ar)

Souad departs from Suez, heading to Cairo, after losing her family in the 1967 war. There she meets the journalist Ahmed, and the tragedy of ruin and destruction and the death of her mother are in her hands.

Microphone(ar)

Upon his return to Alexandria, Khaled becomes intrigued with a graffiti mural opposite his apartment. As he pursues this further, a larger underground arts scene slowly reveals itself, composed of musicians, filmmakers, and graffiti artists. As they struggle to get their voices heard, Khaled is compelled to help them acquire some much deserved visibility.

The Innocent(ar)

A simple minded peasant was recruited in the Egyptian army where he was deceived to believe that political activists are his homeland enemies, but not for so long.

We Are the Bus People(ar)

Adel Imam and neighbour Abdel Moneim Madbouly are taken to a Police station after an altercation with a bus conductor. They are mistakenly arrested with a group of suspected terrorists and taken to a maximum security jail.