Passions Just Like Mine(2010)

The Smiths: Not Like Any Other Love(en)

It's 30 years since Manchester four-piece The Smiths changed the face of British pop with their debut single Hand In Glove. In this half-hour Culture Show special, fellow Mancunian and lifelong fan Tim Samuels sets out to find out why The Smiths have such a special place in the hearts of a generation of Brits. The Smiths were only around for five years in the mid-eighties, but to this day the sentiment their music evokes is strong. Samuels pays visits to a variety of dedicated fans including fashion designer Wayne Hemingway, poet Simon Armitage, Labour MP Kerry McCarthy and Oasis songwriter Noel Gallagher to analyse the look, the lyrics, the issues and the riffs that made The Smiths Britain's first, and arguably best ever, indie rock band.

The Smiths: These Things Take Time(en)

A documentary about The Smiths.

The More You Ignore Me(en)

Based on Jo Brand's critically acclaimed novel of the same name, The More You Ignore Me is a warm, comedy drama focusing on the life of an unconventional family in 1980s rural England. The film focuses on Gina, a young mother, whose efforts to be a loving mother and wife are undermined by her declining mental health. Things deteriorate when she develops an obsession with the local weatherman, which leads to an admission to the nearby psychiatric hospital. Over the years, as she grows up, her daughter Alice struggles to relate to her heavily medicated mum, and causes chaos when she comes up with a plan to reconnect with her, which divides the family forever and leads to a moving climax. Set to the songs of The Smiths, The More You Ignore Me provides a sometimes stark, yet comical insight into life within this quirky household, whilst addressing mental health issues and their impact on the family.

Nanook of the North(en)

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Mano a Mano(en)

Duende without an arena, in the shadow of the Méjan chapel in Arles, Mano a Mano is neither a duel nor a duo. But an eloquent hand-to-hand encounter with words. The poetry of life versed directly into the microphones.

Ceremonial(en)

A short film exploring the ritual practices among indigenous First Nation tribes in North America.

The Last Bread(en)

After 17 years in business, La Villita Bakery in Williamsburg, Brooklyn was forced to close its doors. A victim of rising rents and rapid gentrification, this family owned business was a staple of the working class community that once could afford to live in the area. Chronicling the final days of this beloved bakery, The Last Bread (2013) captures the death of yet another small business in an increasingly homogeneous New York City. La Villita was located on the corner of Grand street and Bedford Ave, the division between the North and the Southside of Williamsburg.

Avaton(el)

Mount Athos is a peninsula situated in Northeastern Greece, the home of 20 Christian Orthodox monasteries and the largest area on earth where access is reserved to men alone. Female animals are banned too, except for cats, songbirds and insects. Throughout the film women discuss a place they have no access to and their ideas and points of view interconnect and take us all the way to the forbidden land. Since the female duo that directs Avaton is unable to visit the peninsula, they decide to reconstruct Athos by using material filmed anywhere but there, animations and reworked archival material.

Misery Loves Company(en)

A documentary presenting the behind the scenes of Rob Reiner's classic "Misery", with Reiner himself, Kathy Bates, James Caan, Frances Sternhagen, writer William Goldman, Barry Sonnenfeld (the film's cinematographer) presenting their views on the film years later of its release and the impact "Misery" had in their professional lives.

Andre Matos: Maestro of Rock(pt)

"Maestro do Rock" started when Andre Matos himself authorized recording interviews where he would talk about his life and the different phases of his career. Directed by Anderson Bellini and produced and scripted by Thiago Rahal Mauro, the document had it starting point in a long interview where Andre Matos spoke for over 5 hours about all sort of different subjects. With his sudden passing in 2019, the family yielded this material as well as hundreds of other ones from his personal archives so that this film could be finalized.

Messi vs Ronaldo, la course aux étoiles(fr)

Blow Your Mind(en)

Alabama native, Destin, is driven to reveal the extraordinary science behind the jobs, missions, and obsessions of ordinary people.

101 Roles 102 Lifes, Bajrush Mjaku(mk)

Documentary feature film focusing on the life and career of Bajrush Mjaku, a ground-breaking actor who was active and still inspiring the Theaters in Balkans and worldwide. A superstar in the art world, but little known outside the theaters professionals and audiences, why does Bajrus Mjaku continue to excite passions? This brilliant, gifted and visionary actor, father and grandfather give us his story overlapping some half of the century of professional success and dedication to his family, through most hard times to represents his Albanian culture. Always keeping his family together, always make audiences applause, smile and cry to his performance on the scene. His mission is Acting, and his Acting is the mission.

Go Go Kosovo!(en)

Rio 2016 was the first time athletes from the newly emergent nation of Kosovo were allowed to compete in the Olympic Games. This film captures the behind the scenes struggles, hard graft and grit of the humble Kosovo Olympic Team as they prepare to make history on the world stage. Go Go Kosovo! is about triumphing over adversity and never giving up, no matter what. It’s the ultimate underdog story about hope and fighting for what you believe in.

The Reverend(en)

Winner of the DOC NYC Audience Award, Director Nick Canfield’s first film follows gospel-rock icon and activist Reverend Vince Anderson. After entering seminary, Vince dropped out to follow his second calling - music. With his band The Love Choir, he has played a now-legendary weekly show for over twenty years. Reconnecting with his faith and using his intense soulful music, he began to preach a type of spirituality that is open to all, meets people where they are, and moves everyone that sees him play. Reverend Vince is also deeply involved in social justice, working with other faith leaders around the country to build inclusive communities. Featuring Questlove and an ensemble of eccentric musicians, The Reverend is a rocking concert film as well as an intimate portrait of Reverend Vince’s inspiring personal and spiritual life.

Duran Duran: Future Past - Live in Concert on DREAMSTAGE(en)

Duran Duran comes to Dreamstage on October 21st, on the eve of the release of their already-critically-acclaimed 15th studio album: FUTURE PAST. Celebrating the band’s rich and colorful 40-year career, the Dreamstage event will include an exclusive, live Q&A with the band as they reveal untold stories about their time together, followed by the global premiere of Duran Duran & Alison Jackson in conversation: Double Take Documentary directed by Gerry Fox & Una Burnand. This half-hour film gives viewers an exclusive behind-the-scenes look at the artistry and hard work that went into making the band’s sensational upcoming music video for their latest single ANNIVERSARY. The video was directed by BAFTA-winning artist, photographer and filmmaker, Alison Jackson, whose widely published work explores the cult of celebrity, using highly-styled lookalikes and actors. This momentous occasion will be an event you won’t want to miss.

Adeus Paissandu(pt)