Narcotic Deaths(1970)

What Did You Take?(en)

Stresses recognition and treatment of drug abuse emergencies, accurate identification of symptoms, and immediate clinical procedures. Presents scenes of actual cases in the emergency room and adjoining physician's offices of Beth Israel Medical Center in New York City. Viewers observe emergency treatment of patients in the major classes of drugs commonly abused, opiates, depressants, stimulants, and hallucinogens. The film demonstrates to health professionals that successful management of drug overdoses can save most lives and avert additional organic and psychiatric complications.

Narcotics, Why Not?(en)

This film presents a series of extemporaneous interviews with teenagers and young adults who have taken narcotics for "kicks," "association," or "curiosity." Residents of the California Rehabilitation Center relate how they were introduced to narcotics, why they wished they had not used drugs or narcotics, and what the future holds for them. Film is shot in Hollywood, Calif.

Focus On Heroin(en)

This film points out the risks of being a heroin addict. Explains that addicts cannot be identified solely with one particular socio-economic level and cannot always be detected by appearance. Addicts and ex-addicts describe the first and subsequent drugs they used.

Faces of Death(en)

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Use Your Eyes(en)

“Use Your Eyes” is a police training film produced by the Alhambra Police Department, California, in 1970. It is intended to demonstrate to police officers how to search a residence for evidence of marijuana use, and what rights they have to search the property once certain prima facia evidence is established.

Life of Crime 2(en)

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

Run for Your Life!(de)

He lived the junkie's life as a heroin addict. Triathlon transformed him. Biopic of the record breaking Ironman Andreas Niedrig.

Face Of An Addict(en)

This short film takes a look at addiction and whom it affects, specifically those in the medical profession. It was sponsored in the interest of the medical profession by Winthrop Laboratories Limited

Heroin(e)(en)

This documentary follows three women — a fire chief, a judge, and a street missionary — as they battle West Virginia's devastating opioid epidemic.

Slavery In The 70's(en)

Heroin anti-drug educational film

Jim Morrison: The End(fr)

Paris, Rue Beautreillis, July 3, 1971. The corpse of rock star Jim Morrison is found in a bathtub, in the apartment of his girlfriend Pamela Courson. The chronicle of the last months of the life of the poet, singer and charismatic leader of the American band The Doors, one of the most influential in the history of rock.

Dig!(en)

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

Methadonia(en)

Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).

Rock Bottom: From Hell to Redemption(en)

Documentary following Jason Mewes' withdrawal from heroin and his struggle to stay clean.

Body Without Soul(cs)

A stark documentary about young male prostitutes in Prague, aged 15 to 18, who work the streets, train stations, and clubs. Through candid interviews and behind-the-scenes footage of gay porn shoots, the film explores their lives, struggles, and dreams, touching on themes of exploitation, identity, AIDS, and survival.

Ciao! Manhattan(en)

Fiction and documentary mingle in a freewheeling portrait of Susan Superstar, a New York celebrity on a drug-fueled downward slide that mirrors Edie Sedgwick’s own self-destructive spiral.

Hype!(en)

This documentary examines the Seattle scene as it became the focus of a merging of punk rock, heavy metal, and innovation. Building from the grass roots, self-promoted and self-recorded until break-out success of bands like Nirvana brought the record industry to the Pacific Northwest, a phenomenon was born.

Without Bias(en)

The late Len Bias still leaves more questions than answers. When Bias dropped dead two days after the 1986 NBA Draft, he forever altered our perception of casual drug use and became the tipping point of America's drug crisis in the mid-80's. Future generations continue to face the harsh punishment of drug policies that were influenced by the public outcry after his heartbreaking death. Instead of becoming an NBA star, he became a one-man deterrent, the athlete who reminded everyone just how dangerous drug use can be. Amazingly, questions still linger about his death nearly a quarter-century later. How good could he have been in the pro ranks? Has he become underrated or overrated as the years pass? How could a University of Maryland superstar and Boston Celtics lottery pick be derailed by a cocaine binge? Was Bias a one-time user as we were led to believe, or was there a pattern of recreational use that led to his fatal last night? Did he fall in with the wrong crowd.

Justice pour Alyssa Goudreau(fr)

Storia di Filomena e Antonio: Gli anni '70 e la droga a Milano(it)

Documentary on the penetration of drugs in Milan in the 70s. Filomena is only 24 years old and recounts with a lucidity that takes her breath away her journey as a child locked up in boarding school, ran away from home, taken back by her family and treated as a lost woman. She talks about her marriage to a boy who emigrated to Germany, and her inability to adapt to this new situation. She narrates the arrival in Milan, the meeting with Antonio and the one with drugs. A dialogue for two voices traces the ruthless picture of drug addiction, the daily search for the dose and the attempts to get out of it. It is a poignant document, above all for the lucidity, measure, maturity and intelligence of two unforgettable figures.