Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.
Silva
Felix

Cinema clerks Silva and Felix work the final night before their beloved cinema is demolished by private investors. An empty final screening allows them to reflect on the meaning of cinema in an age wherein art no longer occupies physical space.
2022-12-08
0
An ode to dreaming and dilapidated cinemas
7.0When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
6.9A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
5.0When a romantic gesture towards a bartender backfires, Lali unexpectedly finds herself offered a pity date by another bartender, Ana. What starts as an awkward encounter turns into a genuine connection as they bond over shared experiences as women of color. As they grow closer, Lali finds herself falling for Ana. But when the conversation takes an unexpected turn, Lali must confront her prejudices towards Ana and... herself.
0.0Oliver, an elderly gardener with Alzheimer's, discovers a Super 8 film reel he recorded decades ago, during the early days of his relationship with Julia, his late wife. As he watches the images from the past, his memories blur with the present, and he finds himself torn between reality and the recollections of a love that still blooms in his mind. While searching for answers that never come, Oliver confronts the fleeting nature of life and the beauty of memories that withstand the passage of time.
10.0A reflection on man's relationship and needs with the earth, with the self and with hope.
9.0"Fag End" is an astute representation of the metaphorical death of a mother. The movie revolves around a girl named 'Tania', a victim of smoking and alcohol abuse, going through the process of In vitro fertilization. When it comes to alcohol and smoking, an abuser is overlapped with the tendencies of both alcoholism and chain smoking wherein one is subjected to intense cravings, followed by untoward mental as well as physical detention. Things go downhill one morning, as she relapsed the night before and she suffers a miscarriage. Does it not leave us with the raucous screams of the unborn?
7.0Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.
0.0The short film poem KYKLOP is dedicated to a mechanical eye as an autonomous being. Round wheels and targets similar to him seem to arouse the interest of this main character. The atmosphere is thundery, thunderous. It reminds of the cyclopean thunder demons from the "Theogony" of the ancient Greek poet Hesiod. KYKLOP (2023) is another autonomous part of the film cycle by Telemach Wiesinger and Alexander Grebtschenko that began with TURBULENCE (2022) and its pairs of mechanical wings.
0.0On an isolated farm, a woman finds an injured and frightened woman in her old chicken coop. Moved by an inexplicable instinct, she decides to help her, without imagining that this silent encounter will awaken buried secrets. When tension finally gives way to trust, something dark approaches, bringing a truth that no one could have foreseen.
0.0A group of close friends take a trip to a snowy cabin for the winter. Drinks are spilled, lessons are learned, and memories are cultivated as the three day party comes unraveled.
0.0The strange but intense dream of a musician the night after a tiring performance.
10.0“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.
0.0In countless meeting rooms, an employee wants to resign. Her motivations don't matter, what matters is the catharsis of resignation.
0.0A devastating meditation on love and intimacy, unfolding over 24 hours as three friends face the quiet wreckage of their choices.
0.0In this single character-driven movie, we follow the life of meta, an archaeologist. In her excavation she comes across an old ruin and unknowingly falls trap to a curse. This curse later leads her head to get stuck in a mystical pot. It is the nature’s payback to her unknown karmic cycle.
0.0Two boys from a soccer team disguise their love relationship as sheer friendship so as not to be discovered. One night of passion inside a car wash could trigger a different path in their lives.
6.5A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
8.3A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.
4.0In an abandoned hospital on the outskirts of Brussels, strangers come and go while ghosts linger. Among the shards of glass, a young streamer performs a live sex show for an online subscriber. Under the same dilapidated roof, an old woman lights a fire and drinks her sorrows away in the room where her husband stayed until he died. A chance encounter between these two lonely beings will unleash a flood of memories and virtual data. But real-life connections are scarce, and mutual consolation seems a distant dream. Porcupines are said to gather on cold winter days to share body heat with their fellows, but ultimately injure each other with their quills. How is it that our slightest attempts at intimacy so often see us retreating once more into solitude?