The Last Cinema(NaN)

Mello, Judd, & Tooth Floss(en)

Mello, Judd, & Tooth Floss is a slice of life short about two friends who sit in their car by the ocean on their lunch break as they make up stories about passersby.

WORKING DAYS(en)

Sebastian, an ambitious magazine creator wants to explore the world and document his experiences. During his maladaptive daydreams, reality comes crashing down on him.

Seasonal Concerns(en)

A triple exposure on EXR 50D 16mm film: two layers shot in summer, and the third captured on the cusp of winter. A collection of statues fading in and out of consciousness, around the Weissensee lake in northeast Berlin, where the filmmaker lives.

Barbara(en)

Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.

Os Cães!(pt)

Steel City Bloom(en)

A gruff man wanders an industrial landscape.

Grace Estrela(pt)

Dernière Œuvre(fr)

Before the Freeze(en)

Before the freeze, there was beautiful garden. "Before the Freeze" is a short psychological thriller with experimental elements, about an overstressed, newly-single mother, her daughter, their dog, and what happens one afternoon when a friend comes over. "Before the Freeze" is Tenley E. Raj's debut film. Written, directed, shot, and edited and by Tenley E. Raj.

I AM(es)

A short film about life.

Expurgo(pt)

A woman finds herself in a distorted reality, walking through a labyrinthine space. Seeking to leave this place, she faces and gives new meaning to her memories so she can move on.

1888(kn)

When Demonetization (currency ban) is announced in India, 3 unlikely characters come face to face for a bag of cash. After that a car journey begins and some more characters come into picture. This results in a cat and mouse game with a very unexpected outcome.

Outsider Girls(es)

Free-spirited university student Rafaela’s carefree life is shaken when she falls pregnant. Desperate to get an abortion in a country where doing so could land her in jail and unable to fund one illegally, her situation shakes her world. But thankfully, she doesn’t face it alone by virtue of her best friend and sidekick, Gabriela. In her directorial debut, Hyland skilfully captures the incongruity of the inseparable duo’s lives as they move between their fuzzy pink apartment and the rough and raw backstreets of Santiago.

Yo convergeré(es)

Electroma(xx)

Two robots embark on a quest to become human.

Pulvaaliraghu(ta)

The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.

The Brown Bunny(en)

Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.

Hugo(fr)

Looking through a Glass Darkly(en)

An experimental media installation of three windows exploring fragments of liminality. Three unique re-constructions of experiential instances volumising the cataclysms of thresholds. Experience the absence of definition, the absence of boundaries set and the absence of rationale. A myth is not to be understood, a myth is passed on, like a game of Chinese whispers, it takes its course and ages with time, suiting the demography and tale, it warps and distorts

The Image Book(fr)

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.