Elements(NaN)

Paranoid Park(en)

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Mello, Judd, & Tooth Floss(en)

Mello, Judd, & Tooth Floss is a slice of life short about two friends who sit in their car by the ocean on their lunch break as they make up stories about passersby.

Inland Empire(en)

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

TEN`I-III(ru)

La Chinoise(fr)

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

The Scary Movie(en)

Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.

Old Man/Sick Man/Shout(es)

Ananias, a San Francisco Bay Area artist and immigrant, performs the folkloric Danza de los Viejitos (the Dance of the Old Men). Originally from Michoacán, Mexico, where the dance originates, Ananias interprets its movements through the lens of his spirituality, his long-term HIV-related disabilities, and his search for a place in the world.

Losing the Light(en)

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

Fragments of a Revolution (Sahneye Tarikh)(en)

An experimental film about narrations of two journal photos from Iran's revolution in 1979.

Insistir(es)

A documentary about the sea and memory. Its movement is its form. Its strength.

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

EGGspression(xx)

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

Amoré(en)

Amoré (1min, 16mm film loop, experimental installation) In 2005, Amoré won the Best Canadian Film award at Toronto’s International One-minute Film Festival and in 2011, it won the Jury Prize for Experimental Film at the Toronto Underground Film Festival.

Running Fields IV(en)

Twenty-four images of a camera running in the woods, a moonlight and a cemetery through improvised gestures, mechanical abstraction and saturated colors

Jesus Is King(en)

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

The One and Only Aethon(en)

Shot entirely on vintage VHS-C tapes and loosely following the greek myth, The One and Only Aethon is a surrealist nightmare. The story follows Aethon as he struggles with his eating disorder and overbearing hyper masculinity. He is coxed by a seemingly helpful weight loss tape from Dr. Milton Mysercough, but something evil lurks that might just be himself...

Herkules(de)

Hercules travels by bicycle from Krefeld on the Lower Rhine to Olympus, the throne of ancient deities. The Hercules myth, as a primal myth of male power, is questioned through biographical reflections and the staging of mythological echoes. The dramaturgical structure of the hero's journey disintegrates in a multi-material perspective into questions about male identity, ideals and remorse.

Nix(en)

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Charon(en)

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Roman : I’ll be who I was(en)

Born in 1981, Roman was a brilliant young man, promised a bright future but he died crushed by a car in 2015. His friend Eugenia could not accept this disappearance and decided to create an “intelligent” chabot. Feeding it all his texts, the software learned to speak like him thanks to an artificial intelligence.