Put a horned up twink pig on one side of a gloryhole. Then put a stellar cast of hugely endowed fuckers on the other side and watch the cum loads flow!
An ageing director commentates on a porno he directed 50 years ago, reminiscing on his relationship with the lead actor.
A beautiful young escort suffers from trip-like dreams he doesn't understand. These visions are shared by his clients, both scaring and exciting them.
Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.
Devin passes his time online with buddies he's only met on Twitter. The group decides they need to meet in person, and come together at Garrett's family lake house.
Sites like OnlyFans, Flirt4Free, and JustforFans have destabilized the traditional production, distribution, and monetization of X-rated entertainment. The potential and risk to make the big bucks, along with all the headaches of running a business, is now in the hands of porn stars and starry-eyed newcomers working from home. Performers have become their own studios, producing, shooting, and casting their own work - often from their homes. And just like a Netflix account - people pay to watch. Sure, porn is still popular but it’s a one-way experience and guys don’t want to pay for it. They want the opportunity to get to know somebody they’ve seen in a magazine, on TV, or on social media. Meet your roster of online boyfriends.
An exotic world of eroticism, witchcraft, masochism and strange secret places.
Restless and unhappy, two couples get caught up in infidelity and deception. Barry is a sullen businessman married to Mary, a writer who is unsatisfied with their relationship. Mary begins an affair with Jerry, a smug theater professor and husband of her friend, Terri, who is also a writer. Adding to the adulterous mix are Cary, a callous doctor, and Cheri, an art-gallery assistant.
35-year-old Asuka works in a lakeside fish factory. She’s about to be married to her boss, Taki, but one day, she encounters a kappa – a water sprite found in Japanese folklore – and learns that the creature is in fact the reborn form of Aoki, an old crush who’d drowned when they were 17.
A struggling performer and all-around slacker accidentally stumbles into a successful fetish video career, and is subsequently pulled into a community of sickos while dealing with her over-bearing family in this outrageous comedy.
A grim police detective embarks on a one-man crusade to track down a depraved sex maniac when a nightclub deejay receives a disturbing series of obscene phone calls. Finding himself getting far too close to the victim for comfort, the hard-boiled cop must track down the unbalanced pervert before he can carry out his sick threats...
Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.
A fresh face comes to Hollywood to act in movies but only the gay porn studios are eager to provide him with work.
Roy Chen Chih Lai is a serial rapist and murderer with a leg fetish, and cuts off his victims' legs as trophies after he's through with them. One day at a bank robbery shootout, he catches police woman Cheng Hsuen on camera, and chooses her to be his next victim. He begins to stalk her and enter her personal life, even waiting for her inside her home. He notices her sister, Kelly, as well (who is also a cop), and her boyfriend, Ken. After he kidnaps and rapes Kelly, Cheng decides to lure the madman by using herself as bait, and bring justice to the situation.
Documentary about fetish clothing scene in 70s Britain.
Between 1975 and 1983 a new kind of film could be seen in French cinema: home-grown gay pornography. They were essentially the work of three production companies: Les Films de La Troika (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 'Mon Ami, Mon Amour (My Friend, my Lover)'.
Son of a patriarchal family in the country interior finds out something.
A raucous teen boy with a feminine face is teased everywhere, so his odd biker father dresses him as a girl and sends him to an all-girl school. The lad introduces himself as Sukeban, and a classmate, Michiko, takes him to after-school activities. Lessons on humility turn violent when a masked hatchet-wielding woman turns up. Jealousy, syringes of hormones, bare breasts, a blood bath, and more figure in the resolution.
In 'I Am the Way You Want Me' a fragile woman cheats on her husband with her brother-in-law.
The area around Catalan in Brazil’s state of Goiás is dry, very dry. Sandro’s life here is somewhat monotonous. He works in a fertiliser factory, goes swimming and spends his evenings doing jigsaw puzzles of landscapes. When Maicon, a man straight out of a Tom of Finland illustration, shows up in their small town and flirts with Ricardo, Sandro’s burgeoning feelings of jealousy set a change in motion.