2022-10-21
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ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.
Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
A person receives old entries from their diary, unsure of who is sending them. They eventually arrive at a moment of transcendence.
A collection of images, existing films, and personal footage. All of these melted together to show the destruction of time, and the decay of beliefs. Ranging from religious fundamentalism, sexual identity, the collapse of Western Society, and humanity’s contribution to art, literature, and mixed-media.
Cameron and Sylvia, a young couple in their early 20s, share a touching last evening together before he departs for Paris, where he plans to pursue his dream of becoming a chef. Fast forward four years later, where present-day screens reveal Sylvia and Cameron, still moved by the memory of that unforgettable night. Despite the passage of time and their divergent paths, their connection endures, delving into themes of love, separation, and the everlasting impact of shared experiences.
A couple, Vlad and Sophy, navigate their relationship as well as their own struggles with mental health in the context of a highly connected, politically uncertain modern world while on a trip to a remote Canadian island in this avant-garde feature film. PREFACE TO A HISTORY, created with a tiny crew of four people, represents an experiment in using minimalist tools to create an overwhelming aesthetic experience in service of a simple, but specifically contemporary, story about two people attempting to navigate a fraying relationship amid all the anxieties and external pressures of modern adulthood in a technologically-interconnected and politically unstable era.
Jessica, a young carer, and her mum, who is deeply paranoid and who sees and hears unexplained things have a strong and loving relationship. But the misfit relationship they have brings many challenges they struggle to overcome. The mum's deterioration in her mental health causes her to be sectioned, leaving Jessica lost in her life.
The process of depersonalization maintains a dialogue with the objectification of the body, a sort of thingified flesh, clothed in animosity. In an epiphanic act, the sutures reveal themselves as the reflection of this gaze upon its own spilled fluids and transcend into an internal soup. It is the stream of consciousness in its purest form. It is the raw and the bare. It is the visceral nature of facts. It is the merging of worlds. It is the flesh in turmoil.
The mental unraveling of Rowen, a religious leader faced with questions of identity and meaning as a prophesied revelation approaches.
A collection of images taken on 35mm film with a point-and-click Holga135BC during the year after I dropped out of school.
Emily has a doctor's appointment. Sorta. Kinda. Not really.
A bartender takes on the physical form of her imagined alter egos.
Pigpen has a snore. Bailey has a lot of nerve. And Curt Garrish has a gun.
A man and a woman talk on the phone and express their feelings and desires for each other for the first time. We watch as they listen to the other's admissions.