
An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.

An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.
2022-10-25
0
0.0A vacant theater still has “screenings” of its own: apparitions that come to life on a curved screen without anyone to see them, creating spectacular scenes without any projectors at all.
0.0A prisoner belonging to a void known as “Lacuna,” longs to escape their entrapment. As they search for a way out, they confront the unchecked mental illness that plagued their former life.
0.0STRATA INCOGNITA, is a trans-scalar and trans-temporal journey across the geographies that articulate soil as an agro-industrial infrastructure, but also as an ecosystem and a somatic archive of crimes, memories and myths.
This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.
0.0Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.
0.0Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.
0.0Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.
0.0A guy named Ray tries to go to sleep and a sasquatch gets into funky business.
0.0In the dining room of the abandoned house a white, faded entity feeds on her pieces. Memories keep her here and time transforms her into something new.
0.0These are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence. Here our point of view sparkles under the spell and trance of things gathered, fallen, yielding, pluvial, Mesoamerican wind, goddess breath, breeze of sticks. percussive woods. Here the audiovisual diagram that guides us, the kinetic breath that inspires us, the serpentine spear that snatches us away, the agitated plumes that trembles at us are the sound and rumbble of Teponaztli, a Mesoamerican percussive instrument: serpentine, dancing, bouncing sticks, trunks, branches and wood. Kinetic and audiovisual serialism from the embers of the Earth. This is the Earth in a Trance.
0.0Actors Isabella Lafin and Rafael Grendene reharsing a scene from the movie Marriage Story (2019).
0.0The night before her eighteenth birthday recital, an overworked and undertalented pianist is abducted by three ghouls.
0.0A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?
0.0Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
0.0Breathe deeply: in 3 years, your molecules will circle Earth, as today’s oxygen came from nature.
6.0Ellie Epp’s 12-shot study of a soon-to-be-demolished public bath in London, which “maps another way out of structural film toward a cinema of delicate implication".
0.0The last person on Earth revisits their memories as they wander a lonely world