A Million Debt Is Normal, Says My Grandfather(2006)

The Scars(eu)

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Dr Tscharniblues(de)

Bern, 1979: a tower block called Tscharnergut. A group of friends get together to make a film about their experiences growing up in suburban Switzerland.

The Wild Blue Yonder(en)

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

Song 5(en)

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

Winter's End(en)

A short film shot on Super 8 which captures the last days of winter.

Fog on the Mountain(en)

Fog surrounds the peak of a mountain as summer wildflowers bloom.

Nueva York. Quinta Planta(es)

The Road Movie(ru)

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

Faces of Death(en)

A collection of death scenes, ranging from TV-material to home-made super-8 movies. The common factor is death by some means.

Faces of Death II(en)

Brief scenes of death related material: mortuaries, accidents and police work are filmed by TV crews and home video cameras. Some of it is most likely fake, some not as much.

Faces of Death III(en)

The third installment of the infamous "is it real or fake?" mondo series sets its sights primarily on serial killers, with lengthy reenactments of police investigations of bodies being found in dumpsters, and a staged courtroom sequence.

Faces of Death IV(en)

Follows the same pattern of the other Faces of Death movies. In this one we see many staged and not so staged looking deaths ranging from bungee jumping accidents and magic tricks gone bad.

Faces of Death V(en)

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Faces of Death VI(en)

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

The Mystery of Marilyn Monroe: The Unheard Tapes(en)

This documentary explores the mystery surrounding the death of movie icon Marilyn Monroe through previously unheard interviews with her inner circle.

Bloodline(en)

One man's journey into the world of the so-called 'Bloodline' conspiracy, at the heart of Dan Brown's The Da Vinci Code, where a secret society, the Priory of Sion, claims to have guarded evidence of the marriage of Mary Magdalene and Jesus Christ, their children and their descendants down through the centuries.

Selva. A Portrait of Parvaneh Navaï(fr)

Trance dances and out of body projection. In front of the camera, Parvaneh Navaï becomes a mediator who enters in contact with and immerses into the energies of Nature, while her own energy radiates and echos in the forest ("selva"). The camera amplifies and expands her presence, transforming the forest into an imaginary space. The camera becomes a painter's brush.

Familiar Phantoms(ar)

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.

Solaris Mon Amour(pl)

An extraordinary found footage documentary inspired by Stanisław Lem’s “Solaris”. A trance-like, personal story about loss, mourning & memory. The film consists of excerpts from 70 films produced by the Educational Film Studio in Lodz in the 1960s and the first radio adaptations of "Solaris". Lem begins writing “Solaris” the same year that Resnais' “Hiroshima Mon Amour” is released – says Kuba Mikurda – Like Resnais' film, I find “Solaris” a fascinating study of post-traumatic memory – repressed memories that pave their way into consciousness and demand to be expressed.

His Name Was Jason: 30 Years of Friday the 13th(en)

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.