Rida dressyr(2004)

Galop Arrière(fr)

Battuta(fr)

Totilas: Paard en Fenomeen!(de)

White Mane(fr)

In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.

Windstorm 2(de)

Summer vacation. Mika is overjoyed to see Windstorm again. But then she discovers strange wounds on the belly of Windstorm, for which no one has an explanation. Yet this is Kaltenbach verge of bankruptcy! With a heavy heart Mika decides to participate in a variety tournament in which beckons a high prize money. But during training affects Windstorm distracted, often he runs away easily. Mika pursued the black stallion until deep into the forest and is quite surprised: From the thicket a seemingly magical gray mare appears and the two horses dance around lovingly. Suddenly, a strange boy named Milan appears, who says the mare had escaped him. He claimed that he could Help Mika to win the tournament. But is there still time to save Kaltenbach?

Traben(de)

Francesca's everyday challenges of balancing her professional dressage riding and messing around with her friends collide with thoughts about future, friendship, and what it really means to grow up.

The Wanted 18(en)

Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared "a threat to the national security of the state of Israel."

Chop My Money(en)

A day in the life of three street kids in the Eastern Congo. Featuring music by Dirty Beaches.

Blessed Blessed Oblivion(ar)

BLESSED BLESSED OBLIVION weaves together a portrait of masculine performativity in East Jerusalem, as manifested in gyms, body shops and hair dressing parlors.

Ariadne(nl)

The constant movement of the wheels, threads, sprockets, feet and hands suggests restlessness, and this is paralleled by the soundtrack. The unknown woman could be Gretchen from Faust, hopelessly in love or Ariadne who gave Theseus the thread to find his way out of labyrinth or perhaps she is one of the fates, weaving destiny… Enlarged from Super-8 to 35mm, the film is very grainy, in itself an homage to the medium of film which is also emphasized by the depiction of all kinds of turning machines, both in image and sound.

Hawaii: A Voice for Sovereignty(en)

The goal of Hawaii, a Voice for Sovereignty is to raise awareness of the issues that threaten the Hawaiians ancient and once-environmentally-sustainable culture. It is an epic documentary about Hawaiian spirituality and the peoples close connection to the land. It focuses on the complicated social, economic and ecological issues that have arisen in Hawaii since the overthrow of Queen Liliuokalani by the United States in 1893. For Hawaiians, sovereignty is the legal, political and moral right to live on and care for the land; build and grow a sustainable economy; protect natural resources; practice spiritual and cultural traditions; honor their ancestral past; and care for family and community. The film is in the voice of native Hawaiian people who address the issues they continue to face in their long struggle to regain sovereignty over their rights and the native lands lost after the U.S. businessmen and military overthrew the Kingdom of Hawaii.

How Bizarre: The Story of an Otara Millionaire(en)

How Bizarre starts with Pauly at the height of his fame, appearing twice on the UK music show “Top of the Pops”, sharing the stage with Cher, the Spice Girls, Bryan Adams, Back Street Boys, Sheryl Crow and other ‘90s music icons, and then rewinds to show his rise from the mean streets of Otara to musical stardom.

The Thirst of a Stone Sea(sr)

Cuce, the most arid, most remote and most deserted region of Montenegro. Where 17th century met the 21st, where the reality is often surreal. One goat shepherd mourns for heroic times and great men... One man builds a road with his bare hands... One office is always open... One young woman is ready to live in a cave for love... One cow-boy is obsessed by roots... One charcoal maker surveys world politics... How long can this authenticity of life remain untouched...!?

Memories of a Nazi Camp(fr)

Holocaust survivors describe their experiences being interred at the Natzweiler-Struthof concentration camp.

La traque de l'affiche rouge(fr)

I'm not unhappy(fr)

Film student Laïs Decaster trains her camera on her close-knit group of friends to capture daily life in the suburb of Argenteuil, near Paris.

Les camps de concentration nazis - 1933 1945(fr)

Na krev(cs)

A time-lapse documentary capturing the eighth generation of the Kopecký family of puppeteers through brothers Rosťa and Vítek Novák at a key period in their existence - from 2014, when they acquired their own space called Jatka 78 and first sniffed at more ambitious projects with the new circus company Cirk La Putyka.

Prague, March ’92(de)

Prompted by a seminar given by acclaimed German filmmaker Peter Nestler, Prague, March '92 combines 16mm footage shot over the course of a week in the title city with excerpts from Bohumil Hrabal's essay "The Magic Flute," which considers the 20th anniversary demonstrations in Prague to commemorate the death of Jan Palach, who immolated himself in January 1969 to protest the Soviet invasion.

My Life As I Live It(en)

In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.