A widow named Harriet and her two children Carrie and Brian are living in rural New York in 1947 and are still recovering from the death of Harriet's husband killed in World War II. Carrie is a tomboy and hangs around with boys and they have their own clubhouse. Carrie and her friends make mischief and taunt their mentally challenged neighbor Charlie by stealing one of his puppies. Harriet meets a man named Bernard and begin a courtship, but Carrie is furious that her mother is dating Bernard and wants it to stop. The jealousy and anger of Carrie raises to a fever pitch when Carrie and her friends destroy their neighbor Mr. Grizzle's garden and pour sugar into his tractor. Grizzle then takes Charlie's other puppies away from him and then Grizzle's barn is destroyed by fire. Carrie learns it's time for her to grow up and make amends with her mother and her neighbors for the grief and pain she caused them.
A widow named Harriet and her two children Carrie and Brian are living in rural New York in 1947 and are still recovering from the death of Harriet's husband killed in World War II. Carrie is a tomboy and hangs around with boys and they have their own clubhouse. Carrie and her friends make mischief and taunt their mentally challenged neighbor Charlie by stealing one of his puppies. Harriet meets a man named Bernard and begin a courtship, but Carrie is furious that her mother is dating Bernard and wants it to stop. The jealousy and anger of Carrie raises to a fever pitch when Carrie and her friends destroy their neighbor Mr. Grizzle's garden and pour sugar into his tractor. Grizzle then takes Charlie's other puppies away from him and then Grizzle's barn is destroyed by fire. Carrie learns it's time for her to grow up and make amends with her mother and her neighbors for the grief and pain she caused them.
2004-12-13
4.8
San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.
The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.
Gilles, who operates a money losing garage, teams up with his friends Max, who operates a scrap yard, and lawyer Xavier to open a brothel catering to women. They get the idea from Gilles' secretary Irma, a former prostitute. They are assisted in the implementation by Max's wife Juliette and Sabine who is mad for Gilles. Unfortunately Gilles has fallen for Florence the daughter of the conservative Prime Minister and his wife. When the Prime Minister tries to shut down the brothel Gilles decides to stand against him in the election.
When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.
Box is a story of two people who meet at a crossroad. Two different destinies, two different lives, face to face in a game of sweat, blood and tears. Rafael (19) is a young boxer who dreams to conquer the world; Cristina (33) is a single mother who lost her balance. Two lives; one running very close to the earth, the other trying to fly high up, too high.
While vacationing, Koenma is kidnapped by a pair of demons known as Koashura and Garuga, who demand the possession of Lord Enma's coveted "Golden Seal." Botan finds Yusuke Urameshi and Kazuma Kuwabara on their summer vacation as well, and asks for their assistance in Koenma's rescue.
A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)
It's been 3 years since a mysterious killer murdered Kevin's brother on Christmas Eve. This Halloween, Kevin faces a terrifying showdown when the masked madman returns. -- but this time, he's ready for him.
Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany