At 18,000 feet above sea level and over the course of 40 days last Spring, documentary filmmaker Dianne Whelan immersed herself in the challenging and captivating world of base camp at Mt. Everest. With spectacular footage of the mountains’ landscape as a backdrop, 40 DAYS AT BASE CAMP is an intriguing and intimate portrayal of three climbing teams and their journey to the peak.
At 18,000 feet above sea level and over the course of 40 days last Spring, documentary filmmaker Dianne Whelan immersed herself in the challenging and captivating world of base camp at Mt. Everest. With spectacular footage of the mountains’ landscape as a backdrop, 40 DAYS AT BASE CAMP is an intriguing and intimate portrayal of three climbing teams and their journey to the peak.
2011-10-01
6.9
a documentary filmed on mount everest by dianne whelan
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
While scuba diving, Jill's boyfriend Dustin finds a doubloon necklace and the diary of Morganna, a pirate who sailed the coast 200 years ago. With the diary is a treasure map that takes them and their friends Susan and Joe to a mountain cabin. Before setting out in search of the treasure, the four hold a séance using instructions they find in the diary. It brings Morganna and her mate, Captain Tygus, back to life. It's a race for the treasure. Morganna and Tygus will stop at nothing. What about the necklace?
Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.
Constructed in 1955 to initially connect Kiruna in Sweden to Altavatn in Norway, the work with the Solitary road was stopped for military reasons. Five small villages had been connected by the road and they were left with a deserted 20 km stretch in the wilderness. Along the road Sami people and finish farmers continue their lives. They still have the road and they have brought really old cars over the ice of Torneträsk so they could drive during summer time. One of the old men that built the road, Sven-Erik Stöckel, writes a letter to the politicians in Kiruna, asking them to finish the road so people do not have to risk their lives getting to the road crossing the dangerous lake of Torneträsk. Will it ever be finished? And what happened to the children that were born as a result of the road workers coming into the wilderness meeting the local girls?
Peyton Bighorse and Kelli Mayo are stepsisters from Oklahoma who founded their band, Skating Polly, in 2009 at the ages of 14 and 9 respectively. They call their style of music "Ugly Pop": building on the sounds of 70s Punk, early Grunge, and Folk, resulting in infectious melodies, but with real-life blemishes still showing. This fascinating in-depth documentary explores the early years of Skating Polly as Peyton and Kelli get their first taste of success, and try to stay true to themselves and their love of music. We see the two grow as people and musicians, and hear how they became the band they are today. Their earnestness throughout is refreshing and inspiring. Featuring Donita Sparks (L7), Kate Nash, SoKo, Lori Barbero (Babes in Toyland), Kat Bjelland (Babes in Toyland), and many more…
Middle-aged Fumi lives a quiet seaside life, she spends her days working at a small local factory, spending time with her neighbor’s son, and attending her sober-lifestyle group. One night while driving home her car is struck by a small meteorite, the odds of which are 100 million to 1. Seeing this as a good omen, Fumi decides she should be open to new possibilities in her life, even perhaps romance…
Phyllis Loden is an overweight shy nerd who is relentlessly picked on by the more popular girls. This year's Slivis Slough Queen Beauty Pageant is fast approaching and Muffy Fairlane is a lock to win. However, Muffy doesn't want any of her friends to come in last so she enters Phyllis in the pageant. The plan works and also provides the girls with some opportunities to embarrass Phyllis in front of the whole school. As if that isn't bad enough Elizabeth McKay thinks she could've won it all if it wasn't for her allergic reaction the Phyllis' cat. So the girls decide to dispose of the feline. That turns out to be the final straw which sends Phyllis on a murderous rampage to eliminate the beauty queens one by one.
The movie The Wizard of Oz (1939) with the soundtrack replaced by Pink Floyd's album The Dark Side of the Moon (1973); several uncanny moments of synchronisation and a generally darker tone than the original film.
Morgana is a Mexican transgender opera singer with a dream: a sex reassignment surgery. We follow her odyssey all the way to Bangkok as she fights for the identity she has been struggling all her life to construct.
Based on the brief life of the Mexican composer of the famous waltz, "Over the Waves" ("Sobre las Olas"), Juventino Rosas.
In light of recent events, a young man must take action to protect his little sister from a tragic truth.
In a village called Savargaon in Maharashtra, six male and female teachers are told to conduct the adult literacy program. This requires extra working hours but they run the program with no result.
Cameron Duncan wrote, directed and starred in this short film, the same year a lump in his knee turned out to be cancerous. Aged only 16, Duncan had already showcased his filmmaking talents on a series of award-winning short pieces made for Fair Go's annual programme devoted to commercials. With DFK6498, he channels his recent experiences into a short, stylishly-shot memoir of incarceration, frustration and freedom lost. The film went on to win a trio of awards at Wanganui's River City Film Festival and win praise from director Peter Jackson.
Told entirely without dialogue, Hush Hush follows a conservative newlywed couple whose failed attempts at intimacy lead them down separate paths of sexual self-discovery.
The 4th film in the MAGA film chronicles, The Death (Change) of an Industry, explores the fluid business landscape through the prism of the Retailing industry. The film explores the changing landscape by interviewing small business owners, financial analysts, and a very senior retail executive (all from the same family) who helped run several large department store chains, including Bealls in Texas, PA Bergner in IL, and Venture dept stores, a division of the May company headquartered in St. Louis, MO. The film explores the seeds of manufacturing migrating to overseas and the loss of jobs as well as consolidation. The film explores the question as to whether it's just the normal evolution of business or the death of something vital - American, middle class jobs.
A bankrupt playboy pays nightly visits to three rich, grieving widowed sisters disguised as their late husband's ghosts. When they all get pregnant, their father hires a priest to exorcise the "ghosts".
In the sixties, Peter Handke was one of the first to show how the business works: the writer as angry young man and pop star of the literary scene. As soon as he was on the bestseller lists, he turned his back on the hype. For many years, he has lived and worked in his house in a Parisian suburb, more quietly and more hospitably. Peter Handke's precise, free gaze becomes perceptible in his texts, his conversations, the cosmos of his notebooks.
Global superstar Jennifer Lopez reflects on her multifaceted career and the pressure of life in the spotlight in this intimate documentary.
Beyond her historic role in the Montgomery Bus Boycott, this comprehensive dive into Civil Rights icon Rosa Parks sheds light on her extensive organizing, radical politics, and lifelong dedication to activism.
Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is a dance between the director (Paloma Suau) and the portraitist while portraying each other. More than a documentary, this film is an experiment of a director trying to reconnect with her creative voice.
Swedish adventurer Robin Trygg’s journey to climb Mount Everest, that was covered by media during in 2015-2016. Together with his close friend Chirring dorje Sherpa, Trygg headed out to Himalaya, but they found themselves caught in the middle of a dreadful earthquake changing their lives forever.
Eight iconic performers of the first generation of Brazilian transvestite artists go on stage to celebrate their 50th career jubilee. The film depicts the human, personal dimension behind these icons, deconstructing gender stereotypes.
On April 25, 1974 the iconoclastic Brazilian filmmaker Glauber Rocha was in Portugal. There, he joined the collective collective film "As Armas e o Povo". With his foreign and peculiar look, he broke the rules of conventional filmmaking.
TREYF —“unkosher” in Yiddish— is an unorthodox documentary by and about two Jewish lesbians who met and fell in love at a Passover “seder”. With personal narration, real and imagined educational films, and haunting imagery, filmmakers Alisa Lebow and Cynthia Madansky examine the Jewish identity of their upbringings and its impact on their lives.
Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.
In the 1980s and 1990s a wave of murders bloodied the idyllic coastline of Sydney’s eastern suburbs. The victims: young gay men. Disturbing gang assaults were being carried out on coastal cliffs around Sydney, and mysterious deaths officially recorded as "suicide", "disappearance" and "misadventure". Individual stories are woven together by first person interviews and detailed re-enactments, piecing together the facts of these unsolved cases, decades later.
When filmmaker Kathy Leichter moved back into her childhood home after her mother's suicide, she discovered a hidden box of audiotapes. Sixteen years passed before she had the courage to delve into this trove, unearthing details that her mother had recorded about every aspect of her life from the challenges of her marriage to a State Senator, to her son’s estrangement, to her struggles with bipolar disorder. HERE ONE DAY is a visually arresting, emotionally candid film about a woman coping with mental illness, her relationships with her family, and the ripple effects of her suicide on those she loved.
The Legacy Project tells the fate of the World War II heavy cruiser USS Indianapolis using exclusively first-person accounts. The last crew and their families share gripping stories of kamikaze attacks, invasions, a secret mission, and ultimately a devastating torpedo attack that killed three fourths of the crew. The survivors recall the 5 days they spent floating alone in the Pacific Ocean, their miraculous rescue, and how they fought together to clear their captain's name. Start to finish, this feature-length film flows from survivor to survivor as they finish each other's sentences. Set to a completely original score, the incredible story unfolds while rare WWII footage, a collection of previously unpublished photographs, open-ocean reenactments, and new footage from one of the last WWII era heavy cruisers in existence.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
Based on footage shot in the early seventies and lost for more than thirty years, we see and hear the young Bob Marley before he was famous. The film shows us the Wailers' first rehearsal, when the idea of a Jamaican supergroup was still just a dream. Sit in as the albums of Bob Marley and the Wailers brought reggae music and Rasta consciousness to the world, starting a revolution that would change rock music and contemporary culture.
An intimate, psychological portrait of collage artist Lance Letscher.
A documentary film starring Hayao Miyazaki as he follows in the footsteps of Antoine de Saint-Exupéry.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
The story of the Northern Ireland Troubles through the unflinching testimony of two men who played key roles on opposite sides of that bloody conflict. Nearly ten years ago the two paramilitary leaders told their stories on condition that they could never be revealed while they were still alive. The stories told by the Irish Republican Army's Brendan Hughes and Ulster Volunteer Force's David Ervine tell us of the motivations of the participants, the planning of campaigns of violence, the misery of a hunger strike, the tracking and killing of informers and the duplicity that ended a conflict that had lasted too long. It is also a narrative of the fate of combatants when their wars are over.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.