Rio KIJIMA (ennosuke takezai), who had passed through the differences, deepened the bond of each other, and Haruhiko kusumi (Kenta inazuka). Haruhiko comes to play again in KIJIMA, where he lives in his home. Haruhiko who enjoyed the intercourse in the KIJIMA family, but it was a word of Miyu (Reno Takei). In addition, Natsuki (Ryoko Kobayashi) and Yoji (Tomoya Maeno) are asked for their relationship. The two people raised to kishima's room, but the secret of Gamo den was made from KIJIMA.
Yasu plays guitar on the street every night. A young stranger, Dare, stands in front of him. Yasu instantly feels a faint infatuation with Dare, who expresses a straightforward opinion, and takes him to his apartment, where he has no place to return to. The room was occupied by Yasu's friends Otto and Bohra, a comic duo, and Sekken, who works part-time with Yasu and whose dream is to become a full-time employee. Dare felt comfortable in the atmosphere. Yasu told him to stay as long as he wanted. And soon her feelings for him grew stronger.
Due to his indecise nature, Kyoichi, an advertising company employee, repeatedly cheats on his wife. One day, he meets Wataru, an old classmate from university. Wataru reveals that Kyoichi's wife hired him to investigate whether Kyoichi is having an affair. Wataru, who has liked Kyoichi for the past 7 years, takes advantage of the situation and blackmails the salaryman: if he accepts to have a sexual relationship with him, he won't tell his wife about his infidelity.
An unconventional love story between a man who lost his passion and a weather-beaten homosexual torn between his forbidden love and his devotion to his God set off inside a makeshift lovenest called "Tarima"
Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.
While busking, Beom-soo falls for his fan Hyun-woo and realizes his musical identity. Producer Hee-jin wants Beom-soo to be a successful singer, but Beom-soo just wants to make good music.
Hoping to create a special memento to celebrate the fifth anniversary of their relationship, Young-joon (Song) and Joon-seok (Jo) bring a camcorder to a motel room they have rented for the night. With five years behind them, they both speak and touch each other as if their mutual love will never be shaken. However, as the night progresses the air is stifled with the trite memories and self-reproach they share. As the camcorder continues to roll, it becomes increasing clear that this may very well be their last night together.
The story of Oh Aew's last day in Phuket. Teh will take him to places they will remember before traveling to Bangkok. A short film follow-up to part 1 of the series "I Told Sunset About You".
A mother surprises her son with a birthday treat – an ultra-dark and bittersweet chocolate cake. Its mysterious taste makes strange things happen.
PROMISE ME ONE THING. DON'T LEAVE ME BEHIND. A story of 2 lonely strangers meeting up together on one lonely night in Bangkok.
Ma’ Rosa has four children. She owns a small convenience store in a poor section of Manila where everybody knows her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police.
Hun, working part-time at the bar, crushed on the boss, Mr.Jang. But Mr.Jang always shows deep interest to a regular customer, Misuk. One day the moment to close the bar, Misuk comes in alone.
The daily life of a gay man whose body is inhabited by ants.
Corporate secretary Shirotani suffers from obsessive-compulsive disorder. One day he meets Kurose, a therapist who offers to take him through a ten-step program to cure him of his compulsion. As the two go through each of the ten steps, Shirotani's attraction to his counselor grows.
After losing his mother at the age of 14, Kōsuke spent his depressed adolescence hiding his gay identity in a rural town. Now working as a fashion magazine editor, he spends his free time with his close friends. One day, he meets Ryūta, a personal trainer who works in part to support his aging mother.
On the second anniversary, Juno and Minjae make a trip. However, due to Juno’s mistake, they stay in the guest-house instead of the hotel.
This visually stunning erotic drama follows a young man who finds himself unexpectedly attracted to his handsome, outspoken male professor. Despite — or perhaps because of — his conservative upbringing, Hins is intent on getting close enough to Ming to understand him. It’s an experience that transforms his life and comes to define his adult identity.
Light was sexually assaulted by his stepfather and always lacked love in his childhood. After his mother — his only blood relative—was killed, he could no longer escape and was forced into prostitution. One day, he meets a new client who beats him up on the street. Shuo is an undercover cop trying to reach the drug cartel’s boss by working at a tailor shop. During a mission, Light catches his eye. He brings back the unconscious Light and provides him with shelter. But can Light really face his trauma and live with it? Or will he eventually go back to the streets and keep pursuing false love from clients?
"Saigo no Yakusoku" is described as a human suspense story involving the hijack of a major building. The members of Arashi play five young men who happen to be inside, and the story depicts their attempt to escape and their interactions with the other people caught up in the incident.
Set against a gloriously filmed backdrop of the distinctly jaded charm of mid-90s Saigon, the lives of two men intertwine as they are both bound by traditions and honor. One to his mafia family, the other to the traveling troupe that performs elaborate classic operas. Yet they have much more in common than either wants to admit.