There's nothing quite like a hot-blooded Latina lust bunny to spice up your dull sex life. Whether you're bilingual or just cunnilingual, you'll find plenty of bodacious babes willing and able to speak the international language of lust in this lasciviously loco video romp! Take Maria, for example. To her, every man is a potential amigo. Then there is Carlotta, a sexy stripper who warms up for her “muy caliente” on-stage antics by joining her fans in some pre-show passion. That's not to mention two hot-to-trot stewardesses, who discover that you don't need an airplane to go around the world. And that is just the beginning of all the dirty, decadent delights that await you - South of the Border!
Anthony Deville
Pedro (archive footage)
Tony (archive footage)
Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.
A love story of the 21st century. Hoping for change, Ema runs away from her family and leaves her husband. She hides at the apartment of her hairdresser, a gay guy Tony, even though she barely knows him. At the beginning they are merely two strangers, connected by their mutual effort of escaping from their families. They get closer and help each other to overcome the internal, as well as external, obstacles of their lives. Their liberating friendship almost becomes a love affair, despite the fact it cannot be fulfilled. This liberation creates an intense bond between them: a new escape, a new quest. This is a love story of two people and their attempts to escape the trap of their own desires of belonging to somebody.
Roopa lives a wealthy lifestyle with her widowed dad, Captain Suresh, and brother, Shekhar. After she returns from abroad, she is told that she must now prepare to get married to her betrothed, Ratan, who is the son of a close friend of Suresh. Everything changes suddenly when Roopa meets with a handsome young man, Raj, and both fall in love with each other.
Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!
A regiment of soldiers demonstrate their skills.
In the early twentieth century, a mysterious ecological crisis nearly wiped out the fish that most people cared about in the largest freshwater ecosystem on earth—the Great Lakes. The impact reverberated across the region, ruining local industries, damaging small town economies and indigenous communities, and destroying the livelihoods of people in the United States and Canada. With little reason for hope, a dedicated group of scientists, policymakers, and conservationists tackled the mystery.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
The film tells a story about the latest musical revolution in recent history – the early days of the rave scene and the golden age of techno culture. International political changes in the mid-80s and early 90s, including the fall of the Berlin Wall and the collapse of the Soviet Union, in a short period of time allowed this cultural phenomenon to become a mass movement which was almost completely independent from the global corporations and which did not fight with the system but created its own system.
Robert Burns overcomes his upbringing as a farm labourer to become the national poet of Scotland. Love comes his way in the form of Jean Armour but his attempts at securing a happy relationship are blighted by Jean's father who disapproves of Burns. Finally, Jean and Robbie are married and Burns tries to settle down to a happy married life, but the success of his literary career brings with it many temptations and he is unable to resist the attention of the aristocratic women who fawn upon him. Finding difficulties in supporting his growing family of children, Burns seeks work as a local tax and excise officer in the port of Dumfries when Britain is threatened by the spread of the French Revolution
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
Arthur is asked to pick up a bird for Thanksgiving dinner, so he brings home a 266-pound chicken named Henrietta. The family welcome her with open arms, but the neighbors are not so sure and then Henrietta escapes.