Homo Sapiens Project (200) was completed in 2020 as part of the 20th anniversary of Experimental Film Society. This eight-hour experimental feature is constituted from short film experiments made between 2000 to 2010. These films have already undergone many metamorphoses over the years. They were always restless wandering spirits seeking a permanent place of rest but so far without success. Each section of Homo Sapiens Project (200) was made under the unique condition of living out a form of subtle therapeutic practice. Collectively they reflect major life-changing events, formalistic mutations and thematic shifts within Rouzbeh Rashidi’s filmography. In spite of this, they could not find the peace of a satisfactory final shape. Indeed, they are about peace, something that rarely (if ever) exists within Rashidi’s work. But now, after twenty years of roaming the subconscious, they have come to rest in a permanent retirement in one world, one very personal floating planet.
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Is the eye the window of the soul? - Mydriasis is a movie that reflects about the early discoveries of queerness and its impact on the self perception of a person.
After a feverish dream, a paralysed dreamer finds themselves trapped within a purgatory of their sleep, as they begin to fuse with their bed. The purgatory begins to refract the dreamers mind, as they are confronted with multiple incarnations of themselves struggling to awake. Bed & Breakfast is inspired by the neurodivergent experience of procrastination, and inertia. Questioning the nature of memory, identity, and the fabric of reality, by plunging you into the psyche of a paralysed dreamer where reality is far repressed.
After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.
A Romany woman travels from Praha to her home in Transylvania
An anthology film consisting of four segments based on literary works by Edogawa Ranpo.
The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.
A dream-like narrative in which a woman (Deren), is washed up on a beach and goes on a strange journey, a quest for personal identity, encountering other people and other versions of herself.
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person who is frustrated with the function and structure of the world. The film sets a surreal portrayal of the person's mind as he talks to himself about his personal critique on humanity, individualism, and the idea of free will. The cinematic elements within the film guide the protagonist through his quest as he strives to retain his deepest thoughts from the outside world.
Homo Sapiens Project (201) was completed in 2021 as part of re-envisioning and restructuring Rashidi's filmography. This nineteen-hour experimental feature is constituted from many feature films produced between 2002 to 2014. These experimental features were made as a type of test or trial experiment. Rashidi assembled the films from footage accumulated over the years, archival footage, found footage and rushes donated by his close collaborators.
Amid the chaos of existence, where warmth entwines with cold, passion ignites a fire that both liberates and consumes. Lust whispers sweet nothings, yet beneath the surface lies a scream—ecstasy laced with the taste of demise. Every touch is both a caress and a curse. We fuck to feel alive, yet each kiss inches us closer to the void. Love and loss converge, and the pulse of life beats strongest in the shadows of death.
A pulsing, kaleidoscope of images set to an energetic soundtrack. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.
At the court of the Yellow Emperor, the Majoon Traveler & Lady Firefly appear in the Hall of Unconscious Magnetism.
Three souls wake up on a train that takes them to an unknown place.
Obsessed with a general's wife, a clergyman has strange visions of death and lust, struggling against his own eroticism.
A aspiring novelist operates a tiny neighborhood bookstore. His wife is a talented painter. Their marriage is disintegrating, and they are about to sign their divorce papers. Meanwhile, the legendary Casanova and his lover Lavinia are characters trapped inside of a 17th-century children's book. The tragedy of the impending divorce triggers the release of Casanova and Lavinia from the confines of the children's pop-up book.