A bleak, cryptic vision of life in contemporary Iran that eschews overt social commentary in favour of a very personal vision of stifled lives. Directed remotely by Rashidi from Ireland over Skype, the making of this unique film reflects the alienation it so compellingly portrays.
A bleak, cryptic vision of life in contemporary Iran that eschews overt social commentary in favour of a very personal vision of stifled lives. Directed remotely by Rashidi from Ireland over Skype, the making of this unique film reflects the alienation it so compellingly portrays.
2012-08-15
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A fascinating case of narrative deconstruction, THE SUICIDE SQUEEZE is a '40s style whodunit pressed through the wringer of an optical printer.
A fever dream of the faces of love. Six circles of love. A kind of death and rebirth experienced within each circle. Each song in the short film evokes a realm of what love can feel like to a human being, the metamorphosis through the experience of Love. Faced with the person that was at every metamorphosis, there is a certain death, and certain transformation. We watch her move without words towards salvation.
Burn flowers burn ,as dreams.Dreams burn down like they were never meant to bloom.
Visual haiku dealing with still and living life, ghosts and revealing light.
Living in forests untouched by man, these gracious and mysterious fairies use their magical powers to send blessings upon Earth. Do not take their kindness for granted. Especially on the night when the sky opens.
In SUNSPOTS, several 16mm shots of the sun are layered and superimposed, paired with a soundscape consisting of volcanos, fire, plastic and the audible solar sounds recorded by the Solar and Heliospheric Observatory (SOHO).
HE, the third work in the ongoing collaboration between Rouzbeh Rashidi and actor James Devereaux, is a troubling and mysterious portrait of a suicidal man. Rashidi juxtaposes the lead character’s apparently revealing monologues with scenes and images that layer the film with ambiguity. Its deliberate, hypnotic pace and boldly experimental structure result in an unusual and challenging view of its unsettling subject.
Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.
A 16mm experimental short film loosely following a cormorant as it attempts to dry its wings.
A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.
in my darkest moment, fetal and weeping, the moon tells me a secret, a confidant As full and bright as I am, this light is not my own and a million light reflections pass over me, the source is bright and endless. She resuscitates the hopeless. Without her, we are lifeless satellites drifting.
A boobs flasher tells us, a boobs flasher lets us see.
A camera crew travels through Thailand asking villagers to invent the next chapter of an ever-growing story.
According to an English legend, Joan of Arc never died at the stake. Her eyes were seared with hot pokers and she was deflowered by an English stud. She was then sentenced to wander on the battlefields, like a vulture, on the look-out for life and searching for any virgins left alive.
Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.
In Arnarstapi (Iceland), during a cabaret number, a mistress of ceremonies proposes to us a journey into the center of her organs to go and meet the original being. During the journey, the public enters into a trance to reach the ecstasy.
A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.