L'éclosion low-tech(2022)

Revenge of the Electric Car(en)

A sequel to 2006's Who Killed the Electric Car?, director Chris Paine once again looks at electric vehicles. Where in the last film electric cars were dismissed as uneconomical and unreliable, and were under multiple attacks from government, the auto industry, and from energy companies who didn't want them to succeed, this film chronicles, in the light of new changes in technology, the world economy, and the auto industry itself, the race - from both major car companies like Ford and Nissan, and from new rising upstarts like Tesla - to bring a practical consumer EV to market.

Invisible Revolutions(fr)

2040(en)

A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”

Windparks im Meer - Chance oder Risiko für die Natur?(de)

Offshore wind farms are a major player in the move away from fossil fuels, especially in the North Sea, and they are increasing in number. But their impact on the environment is not yet clear: We take a look at ongoing research in Europe that is measuring the impact of wind turbines and their harm, or benefit, to biodiversity in our seas.

Energia Rinnovabile(it)

Leben mit der Energiewende - Der Film(de)

Holy Shit(de)

What happens to the food we digest after it leaves our body? Is it waste that is thrown away or a resource that can be reused? In search of answers, director Rubén Abruña embarks on an investigative and entertaining search through 16 cities on four continents. He follows the trail of feces from the long sewers of Paris to a huge sewage treatment plant in Chicago.

The Power Reset(de)

20 years ago the small town of Wunsiedel was at the edge: businesses had to close, jobs were lost, locals left for good. When a bunch of idealists decided to stop this race to the bottom. They developed a plan not only to put the region's energy supply on a completely new foundation, but also to create new prospects.

Leben mit der Energiewende 3 - Selber machen(de)

De l'eau dans le gasoil(fr)

Hydrogène, la belle promesse(fr)

Days after(fr)

In Isère, in the mountainous region of Trièves, is the Tournesol farm, an experiential farm totally autonomous in energy, a veritable laboratory for renewable energies. Jean-Philippe and his family live there from sheep farming and organic market gardening. But in September 2017, a violent fire destroyed the farm and its facilities. While the family has lost everything, a surge of solidarity is taking place so that the Tournesol farm is reborn from its ashes.

Viktor Schauberger: Comprehend and Copy Nature(de)

The first film about Viktor Schauberger's life's work. A comprehensive survey of historical facts, current research and various practical applications into both technology and the natural world.

AUTARK - Leben mit der Energiewende 4(de)

Stocker l'énergie - Un défi technologique(fr)

Osmosis(en)

Brazilian mission commander Sam struggles with establishing a stable connection from Earth to his lover. German scientist Joy explores planet Kepler 452b at her research facility for Alchemy Plasma, a revolutionary energy source. Their long-distance relationship faces doom, when alien Dardesh invaders attack the human outpost, 1400 light years away.

The Pedal Movie(en)

For the first time ever, the story of guitar pedals and effects will be told by the people who make them and the artists that use them. Coming in 2021, The Pedal Movie, Reverb's first-ever feature-length film, will dive into the culture of pedals and tell the story of how a small industry grew from a handful of companies into the galaxy of different makers building pedals today.

The Czechs Are Excellent Mushroom Pickers(cs)

How incomprehensible would a higher intelligence find the plodding human species and the way it treats the Earth? And do Czechs differ in the way they care for nature?

Litsälven(sv)

A short Swedish documentary directed by Arne Sucksdorff, produced for the Royal Swedish Waterfalls Board (Kungliga Vattenfallsstyrelsen). With appearances by Kalle Signal and Nicke Strindlund, the 11-minute film was released in 1948.

Joan(lt)

Joan is 25 years old. She finished actors’ studies in Lithuanian Academy of Music and Theatre and was about to start acting in Russian Drama Theatre. But a war started in Ukraine and she decided to go there. Joan collects and transports materials for the soldiers to the battlefield in Ukraine. Joan tries to keep balance between being one day in war, another in peace. The film is a journey from one world to another and the line between these worlds is not clear. You must reconsider the meaning of “reality”. Everything is mixed up: the war is “there”, but it could be “here” anytime.