2009-01-01
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Paul Robeson: Here I Stand presents the life and achievements of an extraordinary man. Athlete, singer, and scholar, Robeson was also a charismatic champion of the rights of the poor working man, the disfranchised and people of color. He led a life in the vanguard of many movements, achieved international acclaim for his music and suffered tremendous personal sacrifice. His story is one of the great dramas of the 20th century, spanning an international canvas of social upheaval and ideological controversy.
In a behind-the-scenes look at the biggest political upset in recent history, Mark Halperin, John Heilemann and Mark McKinnon offer unprecedented access and never-before-seen footage of candidate Trump, from the primaries through the debates to the dawning realization that the controversial businessman will become the 45th President of the United States.
PUBLIC ENEMY NUMBER ONE looks at the war on drugs from 1968 until today and looks at trigger points in history that took cannabis from being a somewhat benign criminal activity into a self-perpetuating constantly expanding policy disaster.
An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
Wars of the future will be fought over water as they are over oil today, as the source of human survival enters the global marketplace and political arena. Corporate giants, private investors, and corrupt governments vie for control of our dwindling supply, prompting protests, lawsuits, and revolutions from citizens fighting for the right to survive.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
Summer 2019, Zak wanders the streets of Algiers and dives into the Hirak, a series of protests taking place in Algeria since February of that year. His chronicles are nourished by encounters with men and women who take an enlightened look at their country and its struggles: through their words, the strength and complexity of such a movement emerge.
Boogie Man is a comprehensive look at political strategist, racist, and former Republican National Convention Committee chairman, Lee Atwater, who reinvigorated the Republican Party’s Southern Strategy to increase political support among white voters in the South by appealing to racism against African Americans. He mentored Karl Rove and George W. Bush and played a key role in the elections of Reagan and George H.W. Bush.
A cheap, powerful drug emerges during a recession, igniting a moral panic fueled by racism. Explore the complex history of crack in the 1980s.
Unknown short stories from the past, the present and the future of fascism and its relation to the economic interests of each era. We will travel from Mussolini’s Italy to Greece under the Nazi occupation, the civil war and the dictatorship; and from Hitler’s Germany to the modern European and Greek fascism.
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Twelve years after they went to school together, six children from Berlin with and without disabilities are interviewed on the topic of inclusion in the German school system.
A documentary following the civil rights movement and how the media, in particular the burgeoning TV, was used to fight for equality in the 1960s. From Selma to Charlottesville, we also see how modern activists use today's technology to continue fighting injustice today.
Tracing the story of a student uprising this documentary explores how the NRA manages to keep a permissive gun law alive, and why it has such a strong hold over American society.
Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.
Two politically-opposed young women fight to shape their lives along with the political future of Tunisia, the sole country to emerge from the Arab Spring uprisings as a functional democracy.
Thirty years, three eras: they have been trying to save the Hungarian film industry again and again over the decades. Among these attempts were highs, lows, countless deals and compromises. And now some say that we are living in the saddest period of Hungarian filmmaking.
The murder of Dutch filmmaker Theo van Gogh by an Islamic extremist in 2004, followed by the publishing of twelve satirical cartoons depicting the prophet Mohammed that was commissioned for the Danish newspaper Jyllands-Posten, provides the incendiary framework for Daniel Leconte's provocative documentary, It's Hard Being Loved by Jerks.