1967-09-24
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Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Comedy based on short Sean O'Casey play. John Jo Mulligan finds himself in a situation with which his pious conscience cannot cope. He has spent a night with the cunning seductress Angela. Full of remorse and dreading the ruin of his reputation, he tries to get rid of her, fearing that his pal Halibut or his landlady Miss Mossie might get to know. Angela sees her chance, turns gold-digger and does not leave before relieving John of a considerable amount of money.
Anton Špelec (Vlasta Burin) is a producer of musical instruments by trade but a sharp-shooter at heart. He expects to be awarded a medal at a large parade in town where veteran sharp-shooters will be honored. When the town council is one medal short, Anton must wait another year for his prized possession. He drowns his disappointment in drink at the local pub and becomes so drunk that he insults the emperor who sentences him to jail. Instead of fulfilling the emperor’s orders himself, Anton sends his employee in his stead.
The story of the star crossed love between Manon Lescaut and Des Grieux.
Since its premiere on 2 June 1937 in Zurich, Alban Berg's second opera "Lulu" has the reputation of being surrounded by scandals. On the one hand, this is due to the dubious character of the subject, the man-eating femme fatale, which Berg had taken from Frank Wedekind's two Lulu tragedies – "The Earth Spirit" and "Pandora's Box" – and combined into one opera libretto. On the other hand, Berg's window had (for personal reasons) repeatedly refused to have the opera completed, which was unfinished when Berg died. This video is of the unfinished two-act torso of "Lulu."
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
Hero and Beatrice, cousins and best friends, have very different approaches to love. Beatrice, burned once, is fiercely avoiding her arrogant ex-boyfriend Benedick and has sworn off men in general. Hero, a true romantic, is deeply in love with Benedick's friend Claudio, but too shy to say it. When they get trapped in a house with the entire boys rugby team, they'll be forced to face the questions they'd been avoiding.
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
France, 1792. Chenier is an idealistic poet, in love with the aristocratic Maddalena. While Chenier supports such notions as "liberte, fraternite egalite," his sympathies do not extend to the current Reign of Terror. Likewise, the Revolutionary Tribunal has no need for poets or their girlfriends, especially those judged to be an Enemy of the State. Heads will roll.
Composer Thomas Adès conducts the Met premiere of his powerful opera based on Shakespeare’s last play, in Robert Lepage’s brilliantly inventive production. Simon Keenlyside is the magician Prospero, who conjures the storm that shipwrecks his enemies and sets in motion the course of events. Rising Met stars Isabel Leonard and Alek Shrader are the young lovers, Miranda and Ferdinand, Alan Oke sings the sinister Caliban, and Audrey Luna gives a memorable performance as the sprite Ariel.
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Giuseppe Verdi based his famous opera on the novel “The Lady of the Camellias” by Alexandre Dumas. Robert Wilson’s production of Violetta Valéry’s tragic fate is his first work at the State Theater of Linz, Austria, one of the most modern operatic stages in Europe by architect Terry Pawson. After the run in Linz, the production was transferred to the Opera House in Perm, Russia, where the production was conducted by Teodor Currentzis. In 2017, the work received a “Golden Mask”, the most prestigious Russian theater award, in three categories (Teodor Currentzis, Best Conductor; Nadezhda Pavlova, Best Female Singer; Robert Wilson, Best Lighting Design).