A description of two nude bodies.
A description of two nude bodies.
1971-01-01
0
Adolfo Kaminsky started saving lives when chance and necessity made him a master forger. As a teenager, he became a member of the French Resistance and used his talent to save the lives of thousands of Jews. The Forger is a well-crafted origin story of a real-life superhero.
Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.
Short silent documentary on Carnaval at Malmédy, Belgium.
A young girl is trying to relate to her grandmother's death which quickly becomes more than a personal loss.
Short stop motion for the German TV youth magazine Dr. Mag. Studio Film Bilder produced 18 different shorts, each time with a different director who interpreted a given subject in his personal style. This time Jürgen Haas dealt with spring, puberty and first love.
This is about how drugs alter our perception and take the place of normal sensory input.
A closeted boy runs the risk of being outed by his own heart after it pops out of his chest to chase down the boy of his dreams.
A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.
A dazzling journey through time via the remarkable images of National Geographic photographer Frans Lanting and his epic "LIFE" project, which presents a stunning interpretation of life on Earth, from the Big Bang through the present.
Animators and urban planners both create worlds, but Czech stop motion specialist Jiří Barta's ingenious paper cut-out short punctures the stifling architecture of communist housing. Skilled hands blueprint an apartment tower standardized specifications. Envelopes contain the elements of each home. Family dwellings, bachelor pads, scholarly studies and artist studios: different social configurations are permitted but restrained to the same uniform box. A dystopian revision of the REAR WINDOW scenario, THE DESIGN's darkly comic social critique still has teeth.
In 1964 Film Culture magazine chose Andy Warhol for its annual Independent Film award. The plan was to show some of Andy's films and have Andy come on stage and hand him the award. Andy said, no, he didn't want a public presentation.
It's hunting season, as well as Eda's 25th birthday. As a present, her father offers her an apartment under seizure.
Computer animation featuring a running figure that morphs into various elements. Originally commissioned for Hyundai Sejong Motor Gallery, Seoul, Korea and a special edit was shown in Times Square, New York, USA.
An alien crashlands to earth with his two stupid henchmen.
In Eshbaugh’s ‘political’ animated cartoon world, the Democratic platform is destroyed by its own swallowing of the NRA (National Recovery Act), sending the Donkey representing the party into a dizzying disastrous bucking fury (thanks to a ‘liberal’ added dose of Russian vodka).
In the 1920s, Angela Murray Gibson chose an unusual location to embark on a career in silent filmmaking: her tiny hometown of Casselton, North Dakota. She had previously helped Mary Pickford as an advisor and assistant director on The Pride of the Clan (1917), which Mary Pickford produced and starred in. She opened North Dakota's first movie studio, and she had the audacity to be a woman in an industry dominated by men.
Through a choral diversity of testimonies, the documentary explores the myth of the axolotl, transporting us from the story of a chinampero whose lifestyle reflects the environmental decay of Mexico City, to the efforts of a group of scientists racing against the consequences of the extinction of our symbols and ecological heritage.
Leonie’s dream is to become a pig farmer, just like her parents. She wanders happily around the farm, helping out in any way possible. She tends to the pigs, and is present from the fertilisation of the sows to the moment the truck leaves for the slaughterhouse. The family farm teaches her about the circle of life. However, new laws on nitrogen emissions have undermined the economic viability of the farm, and bankruptcy looms. Together with her cat Skeet, Leonie watches the last pigs disappear from the farm, and she realises that her dream of becoming a pig farmer might not come true.
For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.