The human race has long searched for meaningful interpersonal connections. Tools and technologies have made it easier to reach out and share ideas, but each presents a new, unforeseen challenge. We must always ask: "Is this what we want? What do we want?" ..
After a heartbreaking loss, a grandfather struggling to reclaim his passion for painting finds the inspiration to create again.
Mexico in the 90s. Alex, a 7 year-old boy and his little siblings are left in the care of senile Aunt Lola while their mother works as a host on a radio station. Alex misses his mother and along with his siblings, they listen to his mother’s show every night, building strange imaginary worlds through the stories they hear, the news, the radio soap operas and the religious influence of his great-aunt.
Gulosus (the glutton), is an alluring yet disturbing view of gluttony in contemporary culture. The film is in stop motion, with one photo being taken every 6 seconds, and contains over 130 individual sound effects and foley sounds. The piece draws from the compositions of traditional vanitas paintings and photography. It was also heavily influenced by a genre of youtube called 'Mukbang' (korean for 'eating show'), where people consume mass amounts of unhealthy and idealistic foods for viewers to watch. All of these elements came together to form an opinion on greed and vanity through a relatable but confronting menu. Influencing artists: PES Jan Svankmajer Reynold Reynolds Chen Fei Achievements: BUFTA Bond University awards - nominated best overall film - nominated best director - winner best experimental - winner best sound design Artexpress exhibitions at - Margaret Whitlam gallery - virtual gallery VX - Maitland regional art gallery
At the end of the eighth day the Creator has taken refuge in a dark dungeon . Obsessed with transcending he manipulates life to the extreme and tries to engender the perfect being that will immortalize him
In the spring of 2016, for the first time in 54 years, Ariane Mnouchkine entrusts her troupe, the Théâtre du Soleil, to another director. Robert Lepage then embarks on the creation of Kanata, a work that imagines the meeting of Europeans with First Nations people in Canada over two centuries. Lepage au Soleil: The origin of Kanata shows how, the 36 comedians from 11 different countries, discover in their own stories astonishing resonance with those of the natives. How, inspired by the cosmopolitanism of comedians, Robert Lepage tries to get them to talk about their own stories through those of the natives. The documentary plunges into the heart of a theatrical creation in search of universality turned upside down by a media scandal even before its premiere.
Joe Papp, the founder of the New York Shakespeare Festival and, subsequently, The Public Theater—arguably the most important theatre in North America—is profiled in this documentary that neither sanctifies nor vilifies him. He brought us free Shakespeare in the Park, Hair and A Chorus Line, and nurtured many of America’s greatest playwrights, directors and actors. His complex personality and mercurial behavior are much in evidence and spoken of with frankness through interviews with some of America’s most celebrated artists, including Meryl Streep, Christopher Walken, Martin Sheen, Kevin Kline, and James Earl Jones.
“I don’t sleep at night... What we call experience the younger generation calls a chain of mistakes,” reflects Israeli President and Nobel Peace Prize winner Shimon Peres. Here, his life and career are chronicled, in all their contradictions: his arrival in Israel, his experiences with Ben-Gurion, the Oslo Accords, his rivalry—and eventual cooperation—with Yitzhak Rabin, and his current status in Israel. “Ultimately, there is something very melancholy in this portrait. Peres, it seems, is both the dream and its shattering. Aware of his achievements, pained about his failures, he continues to look forward with eternal optimism.” (Jerusalem International Film Festival)
In 2004, New Jersey Governor Jim McGreevey resigned his office on national television, coming out as a homosexual and admitting to an extramarital affair in the process. This documentary follows him in the near decade since that moment as McGreevey struggles to find his path in religion and serving the community he still loves.
A documentary filmmaker sleeps with his camera to film the dreams he has at night.
Get a look at the New York Comic Con Phenomenon through some of it's most popular and avid supporters.
This little film, which juxtaposes animated sand and scratching on 16mm film, was made during studies at the Royal College of Art. The starting point of this film was the sentence "but it's always when you're asleep that I want to talk to you", read on a wall in the underground... a phrase actually taken from a Mano Solo song.
OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.
This short tells the story of one crab who became a jilted lover. Even among crustaceans, love stories can end badly.
Director Sonja Lindén's personal and sensitive quest to the core of the modern information society where technology and human beings get more and more entwined. This documentary explores our society on the verge of turning ubiquitous - a wireless society, where the laws of time, space and distance are revolutionizing the concept of liaison. Do the consequences of the technological revolution increase our freedom, or do they limit us? Is it possible to find a balance between one's natural rhythm and the society that spins at an ever increasing and demanding speed? Are we chasing echoes of our lost inner wholeness in our everyday lives, which are becoming busier and more fragmented than ever before?
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your Face Is Like a Song,” to simple piano accompaniment. Preserved by the Academy Film Archive in 2015.
In August 1911, Serbian producer Svetozar Botoric and Louis de Beery (former Pathé’s cinematographer) left Belgrade to film a country wedding. With the bridal procession of 300 guests bringing together all the social classes of the time, we follow the young married couple step by step : at home, then at the wedding luncheon beneath the old oak trees, and finally smiling at the party that presents a really beautiful account of Kolo, a traditional Serbian dance.