
Yesterday, today, tomorrow. The days pass, and so does life. Watching the waves to come and go, Laurence compiles sharp fragments of her life. This is an intimate and delicate portrait of a woman, who after all the struggles knows when the most important of all days is.
self

Yesterday, today, tomorrow. The days pass, and so does life. Watching the waves to come and go, Laurence compiles sharp fragments of her life. This is an intimate and delicate portrait of a woman, who after all the struggles knows when the most important of all days is.
2020-12-26
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7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
7.8Journalist Émilie Tran Nguyen invites the viewer to follow her in her quest and discover, at the same time as her, the historical origins of this anti-Asian racism. Told in the first person, alternating archive images, interviews with historians, sociologists and field sequences, this film traces the making of prejudices in the French imagination and pop culture, to twist the neck of stereotypes, deconstruct and act.
Achour is thirty. Night and day, he walks. Rebellious soul, he crisscrosses Alger and its neighborhoods, stays at friends' houses and often leaves the city to meet the nearby montain in Kabylia, his alter-ego. In this environment, marked by war and terrorism, his resistance continues, mobile and ascending. Algerian hardcore-punk musician, Achour once screamed his anger against the country's regime and sang "Anarchytecture". But the movement died down, friends went their separate ways. His Facebook wall became his notebook, his window open to the world. It represents a scream aimed towards the echo of the mountains, between virtual wall, infinite facades of large complexes and the strata of mineral cliffs. A scream comes back at us.
6.7A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.
6.8What starts off as a conventional travelogue turns into a satirical portrait of the town of Nice on the French Côte d'Azur, especially its wealthy inhabitants.
6.4Brest, 1950. The war ended five years ago and nothing remains of the city. Massive bombings and intense fighting lasting more than a month turned the city, its docks, its arsenal, into ashes. Thousands of workers will build it up again, brick by brick. But with awful work conditions protests quickly arise and a strike begins. Violent confrontations happen during manifestations. Until one man falls. The next day René Vautier lands at Brest clandestinely to make a movie about the movement.
6.0Investigation into the Le Pen family, which has been a prominent presence on the political stage for three generations, with two of its members reaching the second round of the presidential election.
0.0Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
How do you deal with life's curveballs? FIGURE 3 tells trapeze artist Korri Singh Aulakh's story of being diagnosed with the chronic autoimmune condition Myasthenia Gravis. It's the third installment in FIGURES, a new series of portrait films. Shot on a mix of 16mm film, VHS and digital.
7.0A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.
10.0In 2024, Abdelkrim Baba Aissa, aged 75, engages in a series of filmed interviews with Algerian journalist Thoria Smati. They address the chronology of the rich and committed career of this self-taught Algerian actor, director, producer and screenwriter, who made his debut on Algerian television as an assistant director then at ONCIC as a director in the years 70.
7.4October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...
7.3Well known for its exploration of seduction and revenge, the “Dangerous Liaisons” by Choderlos de Laclos caused a scandal from its first publication in 1782. Despite – or because of the scandal – the book was a top-seller. Since then, it stood the test of time. Combining eras, continents and people, the novel is adapted around the world. Marvelous tool for reflection on the female condition, social satire announcing the Revolution, remarkable work on the conflicting nature of love but also of the gender war, consecration of the power of the words, a libertine manual… “Dangerous Liaisons” is all of these at once.
0.0This documentary explores the perspectives of three Venezuelan artists from three different generations on what it means to be an artist in Venezuela.
8.0Documentary on Antoine de Caunes, a French television presenter, comedian, actor, journalist, writer and film director.
8.0Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.