Casa Helenira Preta de Referência para Mulher(2020)

Eterno Amor ❤(pt)

Madrepérola(pt)

Para Onde Vão As Mulheres?(pt)

A Casa Tina Martins(pt)

Ocupação Mulheres Mirabal(pt)

Almerinda, Uma Mulher de Trinta(pt)

Rescue of the life story of feminist activist from the 1930s, Almerinda Farias Gama, participant in the struggle for the right to vote for women in the 1934 Constitution, and activist of the Brazilian Federation for Female Progress, together with Bertha Lutz.

Essa Terra é o Meu Quilombo(pt)

Mundurukuyü – The Forest of the Fish Women(pt)

Using the camera as a weapon to defend their ancestral land in Brazil, three women of the Daje Kapap Eypi audiovisual collective lovingly record their Munduruku traditions and their mythology of humans transforming into forest plants and animals.

Corpo Presente(pt)

A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.

As Iracemas(pt)

Black I Am(es)

The women of the first Garífuna community in Honduras work hard for the future of their daughters. Surrounded by a dazzling landscape, they celebrate their identity and the importance of maternal figures.

Carta Sobre Nosso Lugar: Mulheres do Vila Nova(pt)

O Meu Lugar é Jogando(pt)

505 Crime Lane(pt)

Two waitresses suffering from financial problems are convinced to participate in a robbery at the home of a famous writer without knowing that they are about to walk into a cruel trap.

The New Flesh(pt)

[PER(IN)SISTENCE](pt)

A woman confined to a colorless room finds herself forced to eat a mysterious meal while being tormented by strange creatures.

My Neighbor Flora(pt)

Alice's life changes when Laura, the daughter of her neighbor on the wall, knocks on her door to ask if she knows anything about her mother. No one has seen her for days, neither Alice nor Laura, nor the lonely residents of the building.

Firelight(en)

Incarcerated women join a band of volunteers who battle forest fires and assist during natural disasters.

Empire of Madness(en)

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Still Here(es)

Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.