Přátelství ve jménu míru(1952)

OstPunk! Too much Future(de)

Tells the story of punk in the GDR.

Change of Scenery(en)

Born in Germany in 2002, Noa Blanche Beschorner evokes the memory of those who, a generation before her, lived through the separation of East and West Germany. Tapetenwechsel (Change of Scenery) is the story of youth seeking their identity when confronting their collective memory.

Nazi-Karrieren in der DDR?(de)

It was a foundational myth of the GDR that it was anti-fascist and free of Nazis. But was that really the case? The film takes a critical look on the actual way the brown heritage was dealt with in the GDR.

Dragan Wende - West Berlin(de)

Dragan Wende has lived in Berlin since the '70s and has seen the city change through the years. His nephew comes to live with him as Dragan remembers the better days he lived as a Yugoslavian immigrant in a divided city.

Stasi, un État contre son peuple(fr)

After the fall of the Berlin Wall, thousands of documents were hastily shredded by the dreaded GDR political police. 16,000 bags filled with six million pieces of paper were found. Thanks to the meticulous work of technology, the destinies of men and women who had been spied on and recorded without their knowledge could be reconstructed.

Erich Mielke - Master of Fear(de)

Docudrama about life, career and breakdown of Erich Mielke, the former Security chief of East Germany.

Wall of Chaos(it)

Uferfrauen - Lesbian Life and Love in the GDR(de)

Portraits six lesbian protagonists from rural and metropolitan parts of the formerly socialist Republic and has them tell their captivating and sometimes outrageous life stories.

Das letzte Pokalfinale der DDR – Zwischen Mauerfall und Wiedervereinigung(de)

In the midst of the transition towards reunification and a market economy, two teams meet for the last time in the final of the FDGB Cup shortly after the 1990 Volkskammer elections: favorites Dynamo Dresden and Polizeisportverein Schwerin. Matthias Hufmann and Benjamin Unger take a look back 30 years later.

November Days(de)

Marcel Ophüls interviews various important Eastern European figures for their thoughts on the reunification of Germany and the fall of Communism.

Trotz und Treue: Das Phänomen Sahra Wagenknecht(de)

2024 is likely to be a decisive year for Sahra Wagenknecht's political future. In the arena of power, she might assume a role that she is already very familiar with. In the early years following the fall of the Berlin Wall, Sahra Wagenknecht became the "most famous face" of the PDS, the successor party to the SED. Yet, even as the youngest member of the party's executive board, she was considered a "disruptive factor." She is unyielding and swims against the tide. Sahra Wagenknecht does not distance herself from Stalinism, nor from the Berlin Wall, and wishes for a reformed GDR.

Schwerter zu Pflugscharen(de)

In September 1983, a sword is forged into a ploughshare in Wittenberg. It is the most spectacular action of the peace movement in the GDR. Its initiator was the Wittenberg theologian Friedrich Schorlemmer.

The Open Secret(en)

A documentary that explores questions of secrecy and power in relation to the East German Secret Police (the 'Stasi') within East German society. The film is based upon key findings from an extensive research project, 'Knowing the Secret Police', and reflects upon how different kinds of knowledge were circulated through social, religious, political and literary networks within the former GDR. The filmmakers present this research with footage filmed at key locations throughout East Berlin and the wider surrounding landscape, including the Stasi archives and former HQ, Karl-Marx-Allee, Volkspark Friedrichshain, rural 'dacha' cabins, the urban neighbourhood of Prenzlauerberg and the social housing estates of Marzahn.

Die Zeit meines Lebens - Dirty Dancing in Ost und West(de)

In 1987, a small film distributor from Frankfurt/Main brings the film "Dirty Dancing" to West German cinemas against all negative odds. The film becomes the hit of the year, in complete contrast to France, where foreign films have a hard time against the local film landscape.

whisper & SHOUT(de)

Documents important parts of the East German rock music scene of the late 1980s, from well-established bands like Silly, to underground rock bands like Feeling B. This road movie features young people using music to express their take on life, opposition to their parents' generation and opinions on the social and political climate in East Germany. It includes clips from concerts and interviews with fans and members of various bands, such as Feeling B's Christian Lorenz and Paul Landers, now members of Rammstein.

I Love You All(de)

A film on the surveillance and the control in East Germany also speaks about it - representing extreme and almost unbelievable image of a society which has acquired one super-narrative and developed a system which makes it impossible to even speak about the possibility of anything outside it.

Traumschiffe des Sozialismus - Kreuzfahrten in der DDR(de)

When luxury invited itself to the paradise of socialism... For three decades, East Germany rewarded its exemplary citizens by putting them on a boat.

Als wir die Zukunft waren(de)

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.

Einmal Hooligan - immer Hooligan?(de)

The documentary accompanies a group of soccer fans twice on a train ride to a soccer match - first in 1991 and then again in 2006. Have the fans learned something or are they still hooligans?

Robotron - High Tech made in GDR(de)

In a world divided by the Iron Curtain, East Germany sought to carve its niche in the technological race. Enter "Robotron" - a name that seamlessly blended "robot" and "electronics." This wasn't just a brand; it was an ambitious answer to the West's technological advancements, a testament to the GDR’s drive to match, if not surpass, Western innovation. Drawing inspiration from the corporate giants of the West, the GDR‘s government merged various businesses to form this tech behemoth. With 16 major hubs in Central Germany alone, it was clear: "Robotron" was to be the DDR's technological crown jewel. But what was the Socialist Unity Party (SED), the GDR's ruling party, envisioning with this grand venture? How did "Robotron" navigate the challenges of operating within a socialist planned economy, while striving for global excellence? And as it grew to dominate East Germany's tech landscape, why did it always seem to be one step behind the leading global tech powers?