Lakis Lazopoulos climbs on the roof following the course of the breakdown of the average Greek. A house is sinking, the river has overflowed, no one will stay. The river carries them all away. On the roof, Lakis Lazopoulos, as a modern Odysseus, sinks like our life sinks today. The past begins to knock on the door and asks to take a stand. The history of the modern Greek from 1960 until today, the dissolution of us, the rise of the ego, the descent of emotions, the transition to corruption, the ridicule of the Greek in history. Chryssa Ropa, as a modern Penelope, tries to keep the house, the child, the life that is lost. But love and affection are crushed in the years of infidelity and greed.
Lakis Lazopoulos climbs on the roof following the course of the breakdown of the average Greek. A house is sinking, the river has overflowed, no one will stay. The river carries them all away. On the roof, Lakis Lazopoulos, as a modern Odysseus, sinks like our life sinks today. The past begins to knock on the door and asks to take a stand. The history of the modern Greek from 1960 until today, the dissolution of us, the rise of the ego, the descent of emotions, the transition to corruption, the ridicule of the Greek in history. Chryssa Ropa, as a modern Penelope, tries to keep the house, the child, the life that is lost. But love and affection are crushed in the years of infidelity and greed.
2010-12-14
1
Financially hard-pressed, a good-hearted coffee-shop owner asks his twin brother and famous actor for a loan; but, when he faints and collapses on stage, it's up to him to save the day, and his sibling's reputation. Is he up for the task?
Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.
Two lazy friends (Mimis Fotopoulos and Ntinos Iliopoulos) find a job as ice-cream vendors to pay their back rent. When they start giving ice-cream to poor children for free, their boss, incensed, chases them off, and they take refuge in a nightclub, where they disguise themselves as female dancers. One misunderstanding follows another, until the impresario seeks them out, offering them a job as a comedy routine.
Humble Maria, who outfits top London theater star Ned Kynaston, takes none of the credit for the male actor's success at playing women. And because this is the 17th century, Maria, like other females, is prohibited from pursuing her dream of acting. But when powerful people support her, King Charles II lifts the ban on female stage performers. And just as Maria aided Ned, she needs his help to learn her new profession.
Buster and his new cast now have their sights set on debuting a new show at the Crystal Tower Theater in glamorous Redshore City. But with no connections, he and his singers must sneak into the Crystal Entertainment offices, run by the ruthless wolf mogul Jimmy Crystal, where the gang pitches the ridiculous idea of casting the lion rock legend Clay Calloway in their show. Buster must embark on a quest to find the now-isolated Clay and persuade him to return to the stage.
Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.
New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.
Dimitris Thalassias is a single singing teacher at a senior high school in Athens and undertakes the care of a child abandoned by its mother at the door of the foundling hospital. He does everything required to raise it right, but he sees his life changing unexpectedly, since his fiancée leaves him, and his relations with his students go from bad to worse. While this is happening, the mother shows up to claim her child. In the end, everything is corrected, and a solution is provided through marriage.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
A young Greek woman falls in love with a non-Greek and struggles to get her family to accept him while she comes to terms with her heritage and cultural identity.
Thomas is a young actor, the adopted son of Don Antonio, director and founder of the theatrical company to witch he belongs and where he presents his plays. When Don Antonio dies, Thomas is in the need to reestablish his artistic abilities and of the company to save the theater of falling in the hands of the very ambitious Mauro, nephew of Don Antonio who wants to tare it down in order to build a gymnasium. He sets up a web site where he offeres his services as an actor to anyone who needs them outside of the stage. Under those circumstances, Thomas knows Rebeca, mother of Lucia, who hires him to have Lucia fall in love in order to be able to collect an inherence.
For her first television film, director Vera wants the perfect cast. But the first day of shooting is fast approaching and the numerous casting sessions have yet to find a suitable actress to play the leading role. Although the producer and crew are getting ever more exasperated with Vera, Gerwin is happy about the extra work, as he earns his money as an audition reader, delivering the lines of dialogue to the starry candidates at the various castings. When the male lead suddenly has to back out, Gerwin thinks that this might just be his chance.
A spirited young bride-to-be living with her single mother on a small Greek island secretly invites three of her mother's ex-boyfriends in hope of finding her biological father to walk her down the aisle.
Live from Stratford-upon-Avon. The Royal Shakespeare Company presents The Taming of the Shrew. Turning Shakespeare’s fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
Live from Stratford-upon-Avon. The Royal Shakespeare Company presents As You Like It.
Steve Coogan and Rob Brydon continue their travelogue series with a visit to Greece.